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Catedral de Zamora. Archivo Capitular

Information: 

No hay libro de polifonía 5 en la Catedral de Zamora; dicho número corresponde a un libro de canto llano.

List of persons

Displaying 1 - 8 of 8

Details

Birth date: 
18/2 (1728)
Death date: 
19/1 (1822)
Nationality: 
Periods of service: 
antes de 1757 Catedral de Córdoba (?)
1757 (IX-6)-1822 Capilla Real de Granada (maestro de capilla)
1767 Catedral de Sevilla (opositor)
1767 Catedral de Málaga (opositor)
1768 Catedral de Zamora (opositor)
References: 

According to Mª Angustias Ortiz (1999-2002), there are some 221 works atributed to Caballero (and a few others attributed to him by López-Calo) in the Capilla Real in Granada, Ávila, and El Escorial.

Submission’s author: 
Córdoba?, 1728? — Granada, 1822

Details

Birth date: 
17/4
Death date: 
18/2
Nationality: 
Periods of service: 
19-XI-1710—29-VIII-1731: Catedral de Zamora
Submission’s author: 
Medina del Campo, Valladolid 1683 — Zamora, 29-VIII-1731

Details

Birth date: 
18/2 (1733)
Death date: 
19/1 (1814)
Nationality: 
Periods of service: 
1743-1755 Cathedral of Tarazona, Zaragoza (choirboy).
1755-1761 Cathedral of Tarazona, Zaragoza (instrumentist: violin and "bajón"). In 1658-1659 he studied composition for six months in Zaragoza.
1758-1759 Zaragoza (he studied composition for six months, probably with Francisco Javier García Fajer, "El Españoleto").
1759 Tarazona Cathedral (unsuccessful candidate/"opositor" to chapelmaster).
1760 Zaragoza (candidate/"opositor" to "bajón" player, probably unsuccessful).
1761-1778 Cathedral of Ávila ("bajón" and second violin). He took holy orders.
1767-1778 Monastery of Santa Ana de Ávila (chapelmaster)
1767 Cathedral of Zamora (unsuccessful candidate/"opositor" to chapelmaster).
1768 Palencia (unsuccessful attempt for a musical position, probably as "bajón" at the Cathedral).
1769 Cathedral of Málaga (unsuccessful candidate/"opositor" to chapelmaster).
1770 Cathedral of León (unsuccessful candidate/"opositor" to chapelmaster).
1771 Cathedral of Calahorra, La Rioja (unsuccessful candidate/"opositor" to chapelmaster).
1775 Cathedral of Granada (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Plasencia, Cáceres (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Santo Domingo de La Calzada, La Rioja (chapelmaster).
1778-1780 Collegiate Church of San Miguel of Alfaro, La Rioja (chapelmaster).
1780 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
1780-1814 Cathedral of Pamplona (chapelmaster).
1782 Cathedral of Segovia (unsuccessful candidate/"opositor" to chapelmaster).
1791-1792 Cathedral of Burgos (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Valencia (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
Biography: 

The known works by Francisco de la Huerta are found in "papeles sueltos" (particelle) and not in choibooks. He has been incorporated to this database, since he was an important chapelmaster in different cathedrals and at the Monastery of Santa Ana in Ávila; he obviously had direct contact with the books of polyphony and with the performance of that repertory in the institutions where he worked.

The main part of the extant compositions by Huerta are preserved in the Pamplona Cathedral and in the Monastery of Santa Ana in Ávila, but there are also pieces by him preserved in the cathedrals of Ávila, Astorga (León), the Collegiate Church of San Miguel de Alfaro (La Rioja), the Royal Collegiate of Roncesvalles (Navarre), and the Monastery of San Lorenzo de El Escorial (Madrid).

Submission’s author: 
Borja, Zaragoza, ca. 2-XII-1733 — Pamplona, 8-III-1814

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (?)
Nationality: 
Periods of service: 
1553-1556 Catedral de Zamora, maestro de capilla
1556-1559 Catedral de Burgos, maestro de capilla
1559-1560 Catedral de Zamora, maestro de capilla
1560-1561 Catedral de Plasencia, maestro de capilla
1564 Catedral de Jaén (?), maestro de capilla
1574 Catedral de Murcia (?), maestro de capilla
Biography: 

As pointed out by José López-Calo and Cristina Diego Pacheco, documents related to the brothers Alonso, Pedro and Rodrigo Ordóñez often do not mention the first name, and thus it is difficult sometimes to ascertain their identity. In E-V 05 there are four polyphonic works attributed to Alonso Ordóñez and one to "Rº Ordóñez"; although the initial in the latter ascription has been interpreted as "Racionero" (to refer to Alonso Ordóñez), it is most likely that it refers to Rodrigo Ordóñez. There are no known works attributed to Pedro Ordóñez.

López-Calo mentions many possible locations that can or could be related to Rodrigo Ordóñez. 

 

Zamora, ? — ?, fl. 16/3-4

Bibliography

Details

Range of pages: 
Vol. 3, 772
Subject person: 
Subject location: 
Type of publication: 
1999-2002

Details

Vol. of music collection: 
6
Range of pages: 
361-365
Type of publication: 
Language of the publication: 
2000

Details

Ed. / Coord.: 
Range of pages: 
Vol. 6, 69-70
City and publisher: 
Subject person: 
Subject location: 
Type of publication: 
2001

How to cite

Emilio Ros-Fábregas, "Catedral de Zamora. Archivo Capitular", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 27 Nov 2020), https://hispanicpolyphony.eu/taxonomy/term/4046