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Catedral de Segovia. Archivo Capitular

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Displaying 1 - 10 of 21

Details

Birth date: 
17/2 (1629)
Death date: 
17/4 (1692)
Nationality: 
Biography: 

The manuscript P-Pm MM-42 (olim Ms. 1577), with organ tablatures (same system used by Venegas de Henestrosa, Hernando de Cabezón and Correa de Araujo), contains the only four works known by this organist/composer: two are titled Obra and the other two Registro. According to Preciado (1999-2002), p. 715, the obras are "llenos para órgano" and the registros are "registros partidos de mano derecha (de uno y dos tiples, espectivamente)"; the four works are like tientos. He points out: "Es notable la Obra de 5º tono, porque en su segunda mitad introduce el autor un motivo de jota riojana, que le confiere un aire de fiesta popular. Antonio Brocarte aclara el estilo organístico español de su tiempo, haciéndolo menos farragoso y más transparente".

Submission’s author: 
Logroño, 20-IX-1629 — Salamanca, 21-VIII-1692

Details

Birth date: 
16/1
Death date: 
16/3
Nationality: 
Periods of service: 
before 1536 Catedral de Salamanca, singer
1536-1554 Papal chapel, singer
1554-1563? Catedral de Segovia, non-resident benefice
Diocese of Zamora, ca. 1505 — between 21-III and 11-VIII 1563

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (?)
Nationality: 
Periods of service: 
1535—ca. 1549 Catedral de Segovia (organista)
Biography: 

Alonso de Esquina/Esquinas is known only as organist, but a lost work (Domine ostende nobis) is attributed to him in the 16th-century inventories of polyphonic choirbooks at Tarazona Cathedral.   

Submission’s author: 
fl. Segovia, 1535 — 1549

Details

Birth date: 
16/3 (?)
Death date: 
17/1 (?)
Nationality: 
Biography: 

He was maybe a singer ("mozo de coro") in the Cathedral of Segovia (1578-1579). In 1591 he was chapelmaster in Trujillo (Cáceres) and went to León to participate in the exams ("oposiciones") for the position of chapelmaster of the León Cathedral. Marcos Esteban de Castro was chapelmaster at Ávila Cathedral from December 1603 onwards; he was still working there in 1611, according to Bourligueux (1970), p. 172.

References: 

A "batalla" mass by Marcos Esteban de Castro is preserved in the Archivo de Música del Monasterio de El Escorial, Colección de Cuadernos CC 10, fols. 16r-18v (Cantus, coro I).

fl. 16/4-17/1

Details

Birth date: 
17/1 (ca. 1620)
Death date: 
17/4 (1684)
Nationality: 
Periods of service: 
ca.1640 Colegiata de Santa María, Morella (Castellón)
ca.1653 Catedral de Cagliari (cantor)
1654 Catedral de Cagliari (Maestro de capilla)
1659 (before 22-X) Catedral de Teruel
ca.1660—1664 Real Monasterio de la Encarnación, Madrid
1664 (VIII)—1667 (22-VII) Catedral de Segovia
1667 (c.VII)—1680 Monasterio de las Descalzas Reales, Madrid
1680 (1-II)—1684 Capilla Real de Madrid
Submission’s author: 
Aragón, ca. 1620 — Madrid, 23-IX-1684

Details

Birth date: 
18/1 (1716)
Death date: 
19/1 (1804)
Nationality: 
Periods of service: 
1725 — 1734 Catedral de Córdoba, mozo de coro
1734 Conservatorio de Nápoles
1741 (12-VI) — 1751 (22-XII) Catedral de Segovia, maestro de capilla
1752 (17-II) — 1780 (7-IX) Catedral de Córdoba, maestro de capilla
Submission’s author: 
Córdoba, 1716 (24-VI) — Córdoba, 1804

Details

Birth date: 
18/2 (1733)
Death date: 
19/1 (1814)
Nationality: 
Periods of service: 
1743-1755 Cathedral of Tarazona, Zaragoza (choirboy).
1755-1761 Cathedral of Tarazona, Zaragoza (instrumentist: violin and "bajón"). In 1658-1659 he studied composition for six months in Zaragoza.
1758-1759 Zaragoza (he studied composition for six months, probably with Francisco Javier García Fajer, "El Españoleto").
1759 Tarazona Cathedral (unsuccessful candidate/"opositor" to chapelmaster).
1760 Zaragoza (candidate/"opositor" to "bajón" player, probably unsuccessful).
1761-1778 Cathedral of Ávila ("bajón" and second violin). He took holy orders.
1767-1778 Monastery of Santa Ana de Ávila (chapelmaster)
1767 Cathedral of Zamora (unsuccessful candidate/"opositor" to chapelmaster).
1768 Palencia (unsuccessful attempt for a musical position, probably as "bajón" at the Cathedral).
1769 Cathedral of Málaga (unsuccessful candidate/"opositor" to chapelmaster).
1770 Cathedral of León (unsuccessful candidate/"opositor" to chapelmaster).
1771 Cathedral of Calahorra, La Rioja (unsuccessful candidate/"opositor" to chapelmaster).
1775 Cathedral of Granada (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Plasencia, Cáceres (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Santo Domingo de La Calzada, La Rioja (chapelmaster).
1778-1780 Collegiate Church of San Miguel of Alfaro, La Rioja (chapelmaster).
1780 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
1780-1814 Cathedral of Pamplona (chapelmaster).
1782 Cathedral of Segovia (unsuccessful candidate/"opositor" to chapelmaster).
1791-1792 Cathedral of Burgos (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Valencia (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
Biography: 

The known works by Francisco de la Huerta are found in "papeles sueltos" (particelle) and not in choibooks. He has been incorporated to this database, since he was an important chapelmaster in different cathedrals and at the Monastery of Santa Ana in Ávila; he obviously had direct contact with the books of polyphony and with the performance of that repertory in the institutions where he worked.

The main part of the extant compositions by Huerta are preserved in the Pamplona Cathedral and in the Monastery of Santa Ana in Ávila, but there are also pieces by him preserved in the cathedrals of Ávila, Astorga (León), the Collegiate Church of San Miguel de Alfaro (La Rioja), the Royal Collegiate of Roncesvalles (Navarre), and the Monastery of San Lorenzo de El Escorial (Madrid).

Submission’s author: 
Borja, Zaragoza, ca. 2-XII-1733 — Pamplona, 8-III-1814

Pages

Bibliography

Details

Vol. of music collection: 
6
Range of pages: 
361-365
Type of publication: 
Language of the publication: 
2000

Pages

How to cite

, "Catedral de Segovia. Archivo Capitular", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 14 Apr 2021), https://hispanicpolyphony.eu/taxonomy/term/4066