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Catedral de Málaga. Archivo Capitular

The sixteen books of polyphony preserved in Málaga Cathedral Archive have been studied during a research stay between 9 and 15 February 2016.

c/ Molina Lario, s/n
29015 Málaga
Phone and fax: 952220345
Email: catedral@diocesismalaga.es
http://www.diocesismalaga.es

List of persons

Displaying 1 - 10 of 14

Details

Birth date: 
18/2 (1728)
Death date: 
19/1 (1822)
Nationality: 
Periods of service: 
antes de 1757 Catedral de Córdoba (?)
1757 (IX-6)-1822 Capilla Real de Granada (maestro de capilla)
1767 Catedral de Sevilla (opositor)
1767 Catedral de Málaga (opositor)
1768 Catedral de Zamora (opositor)
References: 

According to Mª Angustias Ortiz (1999-2002), there are some 221 works atributed to Caballero (and a few others attributed to him by López-Calo) in the Capilla Real in Granada, Ávila, and El Escorial.

Submission’s author: 
Córdoba?, 1728? — Granada, 1822

Details

Birth date: 
16/2
Death date: 
16/4 (1576)
Nationality: 
Periods of service: 
1554 (24-XII)— 1576
Submission’s author: 
fl. 1554-1576

Details

Birth date: 
15/4 (?)
Death date: 
16/3
Nationality: 
References: 

According to Diccionario de la Música Española e Hispanoamericana pg. 27 Vol 5. Mitjana identified Diego Fernández as the author of three-voice villancico located in the Cancionero Musical de Palacio (E-Mp II-1335) De ser malcasada and Tres moricas me enamoran. However, Higinio Anglès rejected Mitjana's hypothesis. 

Submission’s author: 
Málaga, c. 1480 - d. XI - 1551

Details

Birth date: 
17/4 (1699)
Death date: 
18/3 (1767)
Nationality: 
Periods of service: 
9-VII-1717—1733: Catedral de Salamanca (Organista)
1-X-1733—1767: Catedral de Málaga
Submission’s author: 
Sangüesa, Navarra, bautizado, 24-III-1699 — Málaga, 2-IX-1767

Details

Birth date: 
18/2 (1733)
Death date: 
19/1 (1814)
Nationality: 
Periods of service: 
1743-1755 Cathedral of Tarazona, Zaragoza (choirboy).
1755-1761 Cathedral of Tarazona, Zaragoza (instrumentist: violin and "bajón"). In 1658-1659 he studied composition for six months in Zaragoza.
1758-1759 Zaragoza (he studied composition for six months, probably with Francisco Javier García Fajer, "El Españoleto").
1759 Tarazona Cathedral (unsuccessful candidate/"opositor" to chapelmaster).
1760 Zaragoza (candidate/"opositor" to "bajón" player, probably unsuccessful).
1761-1778 Cathedral of Ávila ("bajón" and second violin). He took holy orders.
1767-1778 Monastery of Santa Ana de Ávila (chapelmaster)
1767 Cathedral of Zamora (unsuccessful candidate/"opositor" to chapelmaster).
1768 Palencia (unsuccessful attempt for a musical position, probably as "bajón" at the Cathedral).
1769 Cathedral of Málaga (unsuccessful candidate/"opositor" to chapelmaster).
1770 Cathedral of León (unsuccessful candidate/"opositor" to chapelmaster).
1771 Cathedral of Calahorra, La Rioja (unsuccessful candidate/"opositor" to chapelmaster).
1775 Cathedral of Granada (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Plasencia, Cáceres (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Santo Domingo de La Calzada, La Rioja (chapelmaster).
1778-1780 Collegiate Church of San Miguel of Alfaro, La Rioja (chapelmaster).
1780 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
1780-1814 Cathedral of Pamplona (chapelmaster).
1782 Cathedral of Segovia (unsuccessful candidate/"opositor" to chapelmaster).
1791-1792 Cathedral of Burgos (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Valencia (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
Biography: 

The known works by Francisco de la Huerta are found in "papeles sueltos" (particelle) and not in choibooks. He has been incorporated to this database, since he was an important chapelmaster in different cathedrals and at the Monastery of Santa Ana in Ávila; he obviously had direct contact with the books of polyphony and with the performance of that repertory in the institutions where he worked.

The main part of the extant compositions by Huerta are preserved in the Pamplona Cathedral and in the Monastery of Santa Ana in Ávila, but there are also pieces by him preserved in the cathedrals of Ávila, Astorga (León), the Collegiate Church of San Miguel de Alfaro (La Rioja), the Royal Collegiate of Roncesvalles (Navarre), and the Monastery of San Lorenzo de El Escorial (Madrid).

Submission’s author: 
Borja, Zaragoza, ca. 2-XII-1733 — Pamplona, 8-III-1814

Details

Birth date: 
15/3 (?)
Death date: 
16/1 (?)
Nationality: 
Periods of service: 
1499 Catedral de Málaga
fl. Málaga, 1499

Details

Birth date: 
16/1 (1500)
Death date: 
16/3 (1553)
Nationality: 
Sevilla, ca. 1500 — Málaga? / Marchena, Sevilla?, 1553

Pages

Bibliography

Details

Vol. of music collection: 
6
Range of pages: 
361-365
Type of publication: 
Language of the publication: 
2000

How to cite

Ascensión Mazuela-Anguita, "Catedral de Málaga. Archivo Capitular", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 25 Nov 2020), https://hispanicpolyphony.eu/taxonomy/term/4096