Navigation (Location)

Málaga

Address: 
Málaga
Spain
Map position: 
POINT (-4.4216366 36.7213028)

List of sources (provenance)

Displaying 1 - 1 of 1
Archive / Library Date
E-MAs s.s. Seminario, Málaga. Biblioteca 18/3-4

List of persons

Displaying 1 - 10 of 27

Details

Birth date: 
16/2 (?)
Death date: 
17/1 (?)
Nationality: 
Periods of service: 
1574 (21-I) — 1582 Colegiata de Antequera
1583 — 1592 Hospital de Santiago de Úbeda
1595 — 1597 Santa Capilla de San Andrés, Jaén
1597 (10-I) - Catedral de Sevilla (master of the seises)
Biography: 

Coinciding with the hiring of Gil de Ávila (1) as chapelmaster at the Santa Capilla de San Andrés in Jaén in 1595, a mozo de coro with the same name, Gil de Ávila (2), received a payment of 1.938 maravedís. Perhaps they were relatives.

Submission’s author: 
Spain, fl. 1574-1597

Details

Birth date: 
18/2 (1728)
Death date: 
19/1 (1822)
Nationality: 
Periods of service: 
antes de 1757 Catedral de Córdoba (?)
1757 (IX-6)-1822 Capilla Real de Granada (maestro de capilla)
1767 Catedral de Sevilla (opositor)
1767 Catedral de Málaga (opositor)
1768 Catedral de Zamora (opositor)
References: 

According to Mª Angustias Ortiz (1999-2002), there are some 221 works atributed to Caballero (and a few others attributed to him by López-Calo) in the Capilla Real in Granada, Ávila, and El Escorial.

Submission’s author: 
Córdoba?, 1728? — Granada, 1822

Details

Birth date: 
16/2
Death date: 
16/4 (1576)
Nationality: 
Periods of service: 
1554 (24-XII)— 1576
Submission’s author: 
fl. 1554-1576

Details

Birth date: 
15/4 (?)
Death date: 
16/3
Nationality: 
References: 

According to Diccionario de la Música Española e Hispanoamericana pg. 27 Vol 5. Mitjana identified Diego Fernández as the author of three-voice villancico located in the Cancionero Musical de Palacio (E-Mp II-1335) De ser malcasada and Tres moricas me enamoran. However, Higinio Anglès rejected Mitjana's hypothesis. 

Submission’s author: 
Málaga, c. 1480 - d. XI - 1551

Details

Birth date: 
17/4 (1699)
Death date: 
18/3 (1767)
Nationality: 
Periods of service: 
9-VII-1717—1733: Catedral de Salamanca (Organista)
1-X-1733—1767: Catedral de Málaga
Submission’s author: 
Sangüesa, Navarra, bautizado, 24-III-1699 — Málaga, 2-IX-1767
Málaga, ca. 1590 — Puebla, México, between 18-III and 22-IV-1664

Details

Birth date: 
18/2 (1733)
Death date: 
19/1 (1814)
Nationality: 
Periods of service: 
1743-1755 Cathedral of Tarazona, Zaragoza (choirboy).
1755-1761 Cathedral of Tarazona, Zaragoza (instrumentist: violin and "bajón"). In 1658-1659 he studied composition for six months in Zaragoza.
1758-1759 Zaragoza (he studied composition for six months, probably with Francisco Javier García Fajer, "El Españoleto").
1759 Tarazona Cathedral (unsuccessful candidate/"opositor" to chapelmaster).
1760 Zaragoza (candidate/"opositor" to "bajón" player, probably unsuccessful).
1761-1778 Cathedral of Ávila ("bajón" and second violin). He took holy orders.
1767-1778 Monastery of Santa Ana de Ávila (chapelmaster)
1767 Cathedral of Zamora (unsuccessful candidate/"opositor" to chapelmaster).
1768 Palencia (unsuccessful attempt for a musical position, probably as "bajón" at the Cathedral).
1769 Cathedral of Málaga (unsuccessful candidate/"opositor" to chapelmaster).
1770 Cathedral of León (unsuccessful candidate/"opositor" to chapelmaster).
1771 Cathedral of Calahorra, La Rioja (unsuccessful candidate/"opositor" to chapelmaster).
1775 Cathedral of Granada (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Plasencia, Cáceres (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Santo Domingo de La Calzada, La Rioja (chapelmaster).
1778-1780 Collegiate Church of San Miguel of Alfaro, La Rioja (chapelmaster).
1780 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
1780-1814 Cathedral of Pamplona (chapelmaster).
1782 Cathedral of Segovia (unsuccessful candidate/"opositor" to chapelmaster).
1791-1792 Cathedral of Burgos (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Valencia (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
Biography: 

The known works by Francisco de la Huerta are found in "papeles sueltos" (particelle) and not in choibooks. He has been incorporated to this database, since he was an important chapelmaster in different cathedrals and at the Monastery of Santa Ana in Ávila; he obviously had direct contact with the books of polyphony and with the performance of that repertory in the institutions where he worked.

The main part of the extant compositions by Huerta are preserved in the Pamplona Cathedral and in the Monastery of Santa Ana in Ávila, but there are also pieces by him preserved in the cathedrals of Ávila, Astorga (León), the Collegiate Church of San Miguel de Alfaro (La Rioja), the Royal Collegiate of Roncesvalles (Navarre), and the Monastery of San Lorenzo de El Escorial (Madrid).

Submission’s author: 
Borja, Zaragoza, ca. 2-XII-1733 — Pamplona, 8-III-1814

Pages

Bibliography

Details

Vol. of music collection: 
6
Range of pages: 
361-365
Type of publication: 
Language of the publication: 
2000

Details

Subject institution: 
Subject location: 
Type of publication: 
Annotation: 
"El Catálogo que aquí se presenta comprende los fondos musicales (a excepción de los libros cantorales) de la Iglesia Colegial de Antequera que hoy en día se conservan en el Archivo Histórico Municipal de dicha ciudad" (p. 11). Este Catálogo no incluye ningún libro de polifonía.
2007

How to cite

, "Málaga", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 16 Jan 2021), https://hispanicpolyphony.eu/taxonomy/term/1571