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Ávila

List of persons

Displaying 1 - 10 of 23

Details

Birth date: 
17/4 (1691)
Death date: 
18/2 (1733)
Nationality: 
Periods of service: 
antes de 1714 Catedral de Toledo (mozo de coro)
1714-1733 Catedral de Ávila
Submission’s author: 
Puente la Reina, Navarra, ca. 1691 — Ávila, 15-XII-1733

Details

Birth date: 
18/2 (1728)
Death date: 
19/1 (1822)
Nationality: 
Periods of service: 
antes de 1757 Catedral de Córdoba (?)
1757 (IX-6)-1822 Capilla Real de Granada (maestro de capilla)
1767 Catedral de Sevilla (opositor)
1767 Catedral de Málaga (opositor)
1768 Catedral de Zamora (opositor)
References: 

According to Mª Angustias Ortiz (1999-2002), there are some 221 works atributed to Caballero (and a few others attributed to him by López-Calo) in the Capilla Real in Granada, Ávila, and El Escorial.

Submission’s author: 
Córdoba?, 1728? — Granada, 1822

Details

Birth date: 
16/1 (1500)
Death date: 
16/3 (1553)
Nationality: 
Sevilla, ca. 1500 — Málaga? / Marchena, Sevilla?, 1553

Pages

List of publications

Displaying 1 - 8 of 8

Details

Subject location: 
Type of publication: 
Music books: 
Annotation: 
La numeración en este catálogo de Alfonso de Vicente no sigue el orden numérico de las signaturas de los libros de polifonía; primero se agrupan los libros y libretes impresos (Impresos 1 a 7) y luego los manuscritos (8 a 12). La correspondencia entre la numeración del catálogo (que también utilizamos como sigla en nuestro catálogo) y las signaturas es la siguiente: E-Asa 01 (=Sig. 3); E-Asa 02 (=Sig. 5); E-Asa 03 (=Sig. 4C, 4F); E-Asa 04 (=Sig. 4C, 4D, 4F); E-Asa 05 (=Sig. 4B, 4D, 4E, 4F, 4G); E-Asa 06 (=Sig. 4A); E-Asa 07 (=Sig. 1A, 1B, 1C, 1D, 1E); E-Asa 08 (=Sig. 2); E-Asa 09 (=Sig. 6); E-Asa 10 (=Sig. 4H); E-Asa 11 (=Sig. 7); E-Asa 12 (=Sig. 38)
1989

Details

Title of the collective volume: 
Range of pages: 
395-415
City and publisher: 
Subject institution: 
Subject source: 
Subject location: 
Type of publication: 
2013

Details

Ed. / Coord.: 
Range of pages: 
504-548
City and publisher: 
Type of publication: 
Abstract: 

One of the most striking characteristics of the music from the Spanish kingdoms at the time of Ferdinand and Isabel in comparison with other musical traditions of the same period is the relative scarcity of sources of instrumental and polyphonic music. This lack can partly be explained by the loss of many manuscript sources and the late introduction of music printing in Spain; El Maestro by Luis Milán, printed in 1536, is the earliest Spanish collection of solo instrumental music and accompanied songs, as well as the first printed Spanish tablature. However, there is a third reason: the importance of oral tradition in the transmission and performance of music in Spanish culture during the Renaissance, in both sacred and secular contexts. This essay will survey the different traditions of unwritten music in Spain at the time of the Catholic Monarchs: in the liturgical context, particular emphasis will be placed on the transmission and performing practices of extempore counterpoint and unwritten fabordones; and in the secular context, several aspects related to the oral repertory of vernacular songs, both polyphonic and accompanied, as well as instrumental music will be considered.

Language of the publication: 
2016

Details

Range of pages: 
vol. 9, 925-926
Subject composer: 
Subject location: 
Type of publication: 
1999-2002

How to cite

, "Ávila", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 23 Mar 2019), https://hispanicpolyphony.eu/taxonomy/term/1584