Navigation (Location)

Pamplona/Iruña/Iruñea

Address: 
Pamplona Navarra
Spain
Map position: 
POINT (-1.6442556 42.8184538)

List of persons

Displaying 1 - 10 of 10

Details

Birth date: 
16/3
Death date: 
17/1
Nationality: 
Periods of service: 
1580 — 1583 Catedral de Huesca
1583 — 1586 Catedral de El Burgo de Osma
1588 Catedral de Orense
1588 Catedral de Astorga
1588? — 1590? Valencia
Before 1591 Sacra Capilla de El Salvador de Úbeda
ca. 1591 — 1593 Catedral de Pamplona
1598 — 1602 Catedral de Baeza
1602 — 1605 Catedral de Sigüenza
Submission’s author: 
Medinaceli, Soria, fl. 1581 — Sigüenza, Guadalajara, 5-VI-1605

Details

Birth date: 
18/2 (1733)
Death date: 
19/1 (1814)
Nationality: 
Periods of service: 
1743-1755 Cathedral of Tarazona, Zaragoza (choirboy).
1755-1761 Cathedral of Tarazona, Zaragoza (instrumentist: violin and "bajón"). In 1658-1659 he studied composition for six months in Zaragoza.
1758-1759 Zaragoza (he studied composition for six months, probably with Francisco Javier García Fajer, "El Españoleto").
1759 Tarazona Cathedral (unsuccessful candidate/"opositor" to chapelmaster).
1760 Zaragoza (candidate/"opositor" to "bajón" player, probably unsuccessful).
1761-1778 Cathedral of Ávila ("bajón" and second violin). He took holy orders.
1767-1778 Monastery of Santa Ana de Ávila (chapelmaster)
1767 Cathedral of Zamora (unsuccessful candidate/"opositor" to chapelmaster).
1768 Palencia (unsuccessful attempt for a musical position, probably as "bajón" at the Cathedral).
1769 Cathedral of Málaga (unsuccessful candidate/"opositor" to chapelmaster).
1770 Cathedral of León (unsuccessful candidate/"opositor" to chapelmaster).
1771 Cathedral of Calahorra, La Rioja (unsuccessful candidate/"opositor" to chapelmaster).
1775 Cathedral of Granada (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Plasencia, Cáceres (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Santo Domingo de La Calzada, La Rioja (chapelmaster).
1778-1780 Collegiate Church of San Miguel of Alfaro, La Rioja (chapelmaster).
1780 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
1780-1814 Cathedral of Pamplona (chapelmaster).
1782 Cathedral of Segovia (unsuccessful candidate/"opositor" to chapelmaster).
1791-1792 Cathedral of Burgos (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Valencia (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
Biography: 

The known works by Francisco de la Huerta are found in "papeles sueltos" (particelle) and not in choibooks. He has been incorporated to this database, since he was an important chapelmaster in different cathedrals and at the Monastery of Santa Ana in Ávila; he obviously had direct contact with the books of polyphony and with the performance of that repertory in the institutions where he worked.

The main part of the extant compositions by Huerta are preserved in the Pamplona Cathedral and in the Monastery of Santa Ana in Ávila, but there are also pieces by him preserved in the cathedrals of Ávila, Astorga (León), the Collegiate Church of San Miguel de Alfaro (La Rioja), the Royal Collegiate of Roncesvalles (Navarre), and the Monastery of San Lorenzo de El Escorial (Madrid).

Submission’s author: 
Borja, Zaragoza, ca. 2-XII-1733 — Pamplona, 8-III-1814

Details

Birth date: 
16/3
Death date: 
17/2 (1627)
Nationality: 
Periods of service: 
ca. 1585-1591 Cathedral of Pamplona (chapelmaster)
1591-1600 Cathedral of Calahorra (chapelmaster)
1600-ca. 1608 Turruncún, Church of Saints Nunilo and Alodia (hermit)
ca. 1608-1616 Cathedral of Pamplona (substitute of chapelmaster?)
1616-1627 Cathedral of Pamplona (chapelmaster)
Pamplona, ca. 1563 — Pamplona, 2-I-1627

Details

Birth date: 
18/1 (?)
Death date: 
18/3 (1764?)
Nationality: 
Title and date of treatise: 
Música canónica
motética y sagrada... (Pamplona: Martín de Rada
1761)
Submission’s author: 
Tarazona? (Zaragoza) 18/1 (?) — Tarazona?, 1764?

Details

Birth date: 
18/3 (?)
Nationality: 
Biography: 

According to Sagaseta and Taberna (1985), p. 52, María Luisa de Tarazona Beunza, born in Pamplona, was maybe a daughter of the organbuilder Ramón de Tarazona, also born in Pamplona. On January of 1783, she was examined in "órgano, arpa y canto-llano" by Francisco de la Huerta, chapelmaster of the Pamplona Cathedral, because she wanted to be accepted as a nun musician at the Monastery of Santa Clara in Arizkun (Navarra). According to Huerta, she was "bien instruida en todo lo expuesto para poder servir a dicha comunidad".

Submission’s author: 
b Pamplona, fl. 1783
Falces (Navarra), 31-V-1606 — Valencia, 8-X-1656

Bibliography

Details

Title of the collective volume: 
Vol. of music collection: 
2
Range of pages: 
vol. 2, 136-163 y 270-271 (notas)
Type of publication: 
Annotation: 
[Introducción general], “Siglo XVIII” and “El siglo XIX” by María Gembero-Ustárroz; “La Capilla de Música. De los orígenes hasta el siglo XVI”, “Siglo XVII”, “Siglo XX” and “El Archivo de Música” by Aurelio Sagaseta Aríztegui.
Language of the publication: 
1994

Details

Vol. of music collection: 
6
Range of pages: 
361-365
Type of publication: 
Language of the publication: 
2000

Pages

How to cite

Emilio Ros-Fábregas, "Pamplona/Iruña/Iruñea", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 11 Apr 2021), https://hispanicpolyphony.eu/taxonomy/term/2510