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Regno di Napoli

Address: 
Regno di Napoli
Map position: 
POINT (-3.7035599 40.4278819)

List of persons

Displaying 1 - 7 of 7

Details

Birth date: 
15/3 (1457)
Death date: 
16/1 (1508)
Nationality: 
Biography: 

Beatrice of Aragon, daughter of Ferdinand I of Naples and Isabella of Clermont, was twice queen of Hungary by her marriages to Matthias Corvinus (in 1476) and, after his death in 1490, to Vladislaus II (in 1491), but the latter marriage was declared illegal by the pope in 1500, and she returned to Naples in 1502. 

The Mellon chansonnier was most likely compiled as a wedding gift for Beatrice ca. 1475-1476.

 

Submission’s author: 
16-XI-1457 — 23-IX-1508)

Details

Birth date: 
15/1
Death date: 
15/4
Nationality: 
Periods of service: 
1453-1475 Capilla Real Nápoles
1475 Capilla de Fernando el Católico
Submission’s author: 
Calahorra, La Rioja?, ca. 1400 — after 1475

Details

Birth date: 
16/2 (1539)
Death date: 
16/4 (1581)
Nationality: 
Submission’s author: 
Napoli, ?--?-1539 — Parma, ?-?-1581

Details

Birth date: 
15/3 (?)
Death date: 
16/1 (?)
Nationality: 
Submission’s author: 
fl. Isernia?, Kingdom of Naples, late 15th- early 16th century

Details

Birth date: 
15/3 (1450)
Death date: 
16/1 (1514)
Nationality: 
References: 

A setting of one of "Chariteus / Il Chariteo" (favourite of the charites or graces) thirty-two strambotti was published by Petruccci, Frottole libro nono [RISM 1509/2]. 

According to Donna G. Cardamone (2001), 543: "...the six scurrilous canzoni alla napolitana attributed to 'Don Caritheo' in RISM 1546/18 cannot be by Gareth".

Submission’s author: 
Barcelona, ca. 1450 — Naples, 1514

Details

Birth date: 
15/2 (?)
Death date: 
15/4
Nationality: 
Periods of service: 
1450-1464 Court of Savoy, singer and organist
1469-1479 Aragonese Court of Naples, singer, composer, scribe
Biography: 

According to Atlas (2001), p. 648: "By August 1469 he [Vincenet] was at the Aragonese court of Naples, where a payroll notice dated 14 August reads: 'To Vinxenet de Enaut, singer of the chapel of His Majesty the King [Ferrante I] viii ducats, for writing and notating viii polyphonic offices for the said chapel, which offices he has delivered to Mossen Pere Brusca [the king's maestro du cappella].' Thus Vincenet was a singer and at least a part-time scribe at the Neapolitan court.... Eight works are attributed to Vincenet, four masses and four secular songs, all stylistically typical of his time.... All four secular works appear in the Mellon chansonnier (US-NH 91), compiled at Naples in the mid-1470s when Vincenet was presumably there. Fortune, par ta cruaulte and Ou doy je secours querir are French rondeaux; the former was Vincenet's most widely disseminated work, and was included in Petrucci's Odhecaton (1501). La pena sin ser sabida is a Spanish canción, a genre perfectly at home at Aragonese Naples. Triste que sperò morendo is problematic...". 

Submission’s author: 
b. Hainaut, Belgium — d. Naples?, before 1480

Bibliography

How to cite

, "Regno di Napoli", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 27 Jul 2021), https://hispanicpolyphony.eu/taxonomy/term/4016