List of musicians

Info

This website provides basic information about musicians and non-musicians related to music books in the database; it is not intended to present a full biography of musicians, but to establish useful connections with their sources, institutions, locations, works, documents, and bibliography. Under "Locations" of a composer's entry we list all the locations in which he lived and those in which his music is currently found; under "Institutions", we list only the institutions where he worked or to which he applied for a position through the so-called "oposiciones". Whenever possible, we'll try to indicate the approximate periods of service in each institution. The distinction between "Locations" and "Institutions" provides a useful overview about the dissemination of a composer's works; for instance, Sebastián Aguilera de Heredia (1561-1627) worked only in two cathedrals in Huesca and Zaragoza, but his music is found in at least twenty-two locations in Spain and the New World.

Displaying 501 - 600 of 900

Details

Birth date: 
15/4 (?)
Death date: 
16/1 (?)
Nationality: 
Periods of service: 
1502-1504 Capilla de Isabel la Católica
1504-1516 Capilla de Fernando el Católico
Submission’s author: 
fl. 1502—1516

Details

Birth date: 
17/3 (1654)
Nationality: 
Submission’s author: 
Villafranca de Morella, Castellón, 1654--?

Details

Birth date: 
17/3 (?)
Death date: 
18/1 (?)
Nationality: 
Periods of service: 
1692—1711 Catedral de Murcia
Biography: 

This composer has no entry in the Diccionario de la música española e hispanoamericana (DMEH).

Consuelo Prats Redondo, "Murcia", DMEH, vol. 7, p. 893, indicated that Roque Monserrate was chapelmaster at Murcia cathedral between 1692 and 1711.

RISM attributes erroneously three compositions in E-MUc 4 to the theorist Andrés de Monserrate owing to its last name, but in fact the works should be attributed to the chapelmaster Roque Monserrate. The last name of this composer appears as "Montserrat" in the ascriptions of his works in Orihuela.

Submission’s author: 
fl. 1692—1711

Details

Birth date: 
16/3
Death date: 
17/1
Periods of service: 
1614 (capiscol)
Title and date of treatise: 
Arte breve y compendiosa de las dificultades que se ofrecen en la música práctica del canto llano
References: 

RISM atribuye tres obras en E-MUc 4 al teórico Andrés de Monserrate, pero es probable que se trate de obras de Roque Monserrate, maestro de capilla de la Catedral de Murcia entre 1692 y 1711.

Submission’s author: 
16/3—17/1

Details

Nationality: 
Submission’s author: 
Montagnana, fl. 1558–73

Details

Birth date: 
16/2 (ca. 1528)
Death date: 
16/4 (ca. 1592)
Nationality: 
Title and date of treatise: 
Arte de música theorica y practica (Valladolid: 1592)
Submission’s author: 
?, ca. 1528 — ?, ca. 1592

Details

Birth date: 
15/3 (?)
Death date: 
16/1 (?)
Biography: 

See also Cubells.

Submission’s author: 
fl. 15/4—16/1

Details

Birth date: 
16/3 (1570)
Death date: 
17/1 (1607)
Nationality: 
Submission’s author: 
Nápoles, ca. 1570 — Nápoles, 1607

Details

Birth date: 
16/1 (?)
Death date: 
16/4 (?)
Biography: 

Unknown composer. Several lost works are also attributed to "Montes" in the 16th-century inventories of choirbooks at Tarazona Cathedral.

Submission’s author: 
fl. 16th century

Details

Birth date: 
16/1 (1500)
Death date: 
16/3 (1553)
Nationality: 
Sevilla, ca. 1500 — Málaga? / Marchena, Sevilla?, 1553

Details

Birth date: 
15/4 (?)
Death date: 
16/2 (?)
Nationality: 
Periods of service: 
1540 Catedral de Sevilla
Submission’s author: 
fl. 1540

Details

References: 

See Owen Rees, Polyphony in Portugal, p. 160: "Although Moran's identity remains a mistery, his name suggests that he may have been of Spanish origin".

Submission’s author: 

Details

Birth date: 
16/2 (?)
Death date: 
17/1 (?)
Nationality: 
Periods of service: 
1557-1610 Catedral de Toledo, scribe
Biography: 

According to Noone (2011), p. 7, n. 11: "Little is known about Alonso de Morata, though it is clear from payment documents that he worked as a scribe for Toledo cathedral from at least as early as 1557 until 1610. He is listed in the 1561 census where his address is given as Calle de la Carcel del Arçobispo, a small street in the Parish of San Pedro, very close to the cathedral, occupied by chaplains, prebendaries and canons of the cathedral. The scribes Antonio de Morata and Andrés de Morata, whose names also appear in payment documents, were presumably Alonso's sons; see Linda Martz and Julio Porres, Toledo y los toledanos en 1561 (Toledo: Diputación Provincial, 1974), p. 193.

Submission’s author: 
fl. Toledo, 1557-1610

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (?)
Periods of service: 
before 1576 Capilla del Duque de Bragança
Submission’s author: 
fl. Portugal, 16th century

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (?)
Nationality: 
Submission’s author: 
fl. 1553-1558

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (?)
Nationality: 
Submission’s author: 
fl. Nevers, 1534-52

Details

Birth date: 
18/1 (?)
Death date: 
18/3 (?)
Nationality: 
Submission’s author: 
fl. Jaén, 1741

Details

Birth date: 
18/2 (1731)
Death date: 
18/4 (1793)
Nationality: 
Periods of service: 
1741-1753 Catedral de Valencia
1753-1757 Real Colegio del Corpus Christi (Valencia)
1757-1758 Iglesia de Santa María (Castellón)
1758-1768 Catedral de Cuenca
1768-1793 Catedral de Valencia
Biography: 

En 1714 ingresó en la Catedral de Valencia como infantillo, donde posteriormente desempeñó los puestos de mozo de coro y acólito. Su aprendizaje musical lo realizó de la mano de MC de la Catedral de Valencia, Jośe Pradas. En 1753 ocupó el puesto, de manera interina, de organista  del Real Colegio del Corpus Christi de Valencia, sustituyendo a Baltasar Martínez; este puesto lo consiguión en 1755 en propiedad. Cuendo se jubiló José Pradas, en 1757, concurrió a la vacante de MC de la Catedral de Valencia, que, sin embargo, obtuvo Pascual Fuentes. Ese mismo año Morera consiguió la plaza  de organista de la parroquie de Santa María de Castellón, donde permaneció hasta 1758, cuendo fue nombrado MC de la Catedral de Cuenca.

En Cuenca, Morera padeció algunos problemas de salud y de adaptación, debido a diversos enfrentamientos que mantuvo con los músicos de la capilla. A la muerte de Juan Francés de Iribarren, MC de la catedral de Málaga, se convocaron oposiciones a dicha plaza a las que concurrió Morera sin éxito, ya que el puesto fue ganado por Jaime Gregorio Torrens Rexano.

El 29 de julio de 1768 obtuvo el cargo de MC de la Catedral de Valencia, al quedar esta plaza vacante por el fallecimiento de Pascual Fuentes. Morera desempeñó este puesto hasta su jubilación en 1793, meses antes de su fallecimiento.

 

 

References: 

Cabañas, Fernando J. "Morera Cots, Francisco". En Diccionario de la Música Española e Hispanoamericana. Madrid: Sociedad General de Autores y Editores, 1999-2001, vol. 7, pp. 815-817.

Submission’s author: 
San Mateo (Castellón), 4-IV-173— Valencia, 19-X-1793

Details

Nationality: 
Submission’s author: 
fl. 1587—1610

Details

Birth date: 
16/2 ?
Death date: 
16/4 (1589)
Nationality: 
Submission’s author: 
Rome, ? — Rome, 18-IV-1589

Details

Birth date: 
15/4
Death date: 
16/2
Nationality: 
Submission’s author: 
1484? — ca. 1550

Details

Birth date: 
15/2 (?)
Death date: 
15/4 (?)
Nationality: 
Biography: 

There is no biographical information about Moxica, the composer of two works in the Cancionero Musical de Palacio, one of them with a concordance in an Italian manuscript (I-Fn Mgl. XIX.176) compiled ca. 1475-80. Perhaps he was related to Adrián de Moxica (1453-ca. 1499), a nobleman and explorer who in 1498 accompanied Columbus in his third voyage to the Americas; he was arrested and hanged for participating in a rebellion against Columbus in 1499. 

Submission’s author: 
fl. 1475-1500

Details

Birth date: 
16/1 (1510)
Death date: 
16/4 (1580)
Nationality: 
Periods of service: 
before 1546 Capilla del Duque del Infantado, Guadalajara
before 1546 Palencia
1546—1580 Catedral de Sevilla
Submission’s author: 
?, ca. 1510 — Sevilla, 1-IV-1580

Details

Birth date: 
17/ 3-4 ?
Death date: 
18/2 (1731)
Nationality: 
Periods of service: 
1706 — 1731 Catedral de Badajoz
Submission’s author: 
? — Badajoz, 1731

Details

Birth date: 
16/3 (1554)
Death date: 
16/4 (1591)
Nationality: 
Submission’s author: 
Calahorra, La Rioja, ca. 1554 — Cuenca, 11-V-1591

Details

Birth date: 
16/3 (1560)
Death date: 
17/1 (1623)
Nationality: 
Vallerano, Viterbo, ca. 1560 — Roma?, 1623

Details

Birth date: 
16/1 (1500)
Death date: 
16/3 (1550)
Nationality: 
Granada, ca. 1500 — ca. 1550/60

Details

Birth date: 
16/1 (1510)
Death date: 
16/3 (1561)
Nationality: 
Periods of service: 
before 1547 at the service of nobleman Paolo Naldi, Vicenza
1547-1551 Accademia Filarmonica di Verona, first music director
1551-1561 Cattedrale di Treviso, chapelmaster
References: 

According to Nugent (2001), p. 646: "Sometimes known as 'Metre Gian', Nasco has often been mistaken for Maistre Jhan of Ferrara, an older composer of French origin".

Submission’s author: 
ca. 1510 — Treviso, 1561

Details

Birth date: 
16/4
Death date: 
17/2
Nationality: 
Periods of service: 
1614 Colegiata de Ronda
1616 — 1618 Santa Capilla de San Andrés, Jaén
1618 — 1619? Miranda de Duero, Soria
1620 — 1625 Catedral de Guadix
1625 Catedral de Baeza
Submission’s author: 
España, fl. 1614 — 1625

Details

Birth date: 
17/1
Death date: 
17/2 (?)
Nationality: 
Submission’s author: 
Las Cuevas [de Cañart] (Teruel), c. 1610 — Valencia?, 1650?

Details

Birth date: 
17/3 (1670)
Death date: 
18/2 (1727)
Nationality: 
Periods of service: 
?-1696 Parroquia de Santa María de Elche, Alicante
1696 (12-VI) - 1727 Catedral de Orihuela
Submission’s author: 
Elche, Alicante, ca. 1670 -- Orihuela, Alicante, 7/8-III-1727

Details

Birth date: 
16/3
Death date: 
17/2 (1627)
Nationality: 
Periods of service: 
ca. 1585-1591 Cathedral of Pamplona (chapelmaster)
1591-1600 Cathedral of Calahorra (chapelmaster)
1600-ca. 1608 Turruncún, Church of Saints Nunilo and Alodia (hermit)
ca. 1608-1616 Cathedral of Pamplona (substitute of chapelmaster?)
1616-1627 Cathedral of Pamplona (chapelmaster)
Pamplona, ca. 1563 — Pamplona, 2-I-1627

Details

Birth date: 
18/1
Death date: 
18/3
Nationality: 
Periods of service: 
1740 — 1760 Catedral de Baeza
Submission’s author: 
Baeza, Jaén, fl. 1740 — 1760

Details

Birth date: 
16/3-4 ?
Death date: 
17/2 (1634)
Nationality: 
Submission’s author: 
Ferrara, ? — 27-IX-1634

Details

Birth date: 
16/1
Death date: 
16/4 (1592)
Nationality: 
Biography: 

He was also a poet.

Submission’s author: 
Nola, between 1510 and 1520 — Naples, V-1592

Details

Birth date: 
?
Death date: 
?
Nationality: 
Biography: 

North European composer, active in Italy. His works, all madrigals, were included in anthologies published from about 1538 to 1546.

Locations: 
Submission’s author: 
fl. (1538-1546)

Details

Birth date: 
15/3 (1450)
Death date: 
16/1 (1505)
Submission’s author: 
Bergen op Zoom?, 22-XI-1450/51 — Ferrara, 1505

Details

Birth date: 
15/1
Death date: 
15/4 (1497)
Nationality: 
Submission’s author: 
1410/25—1497

Details

Birth date: 
16/1
Death date: 
16/4 (1576)
Nationality: 
Submission’s author: 
fl. 16/2-16/3

Details

Nationality: 
Periods of service: 
1545 Colegiata de Santa María, Calatayud (Zaragoza)
Biography: 

This composer is not included in Diccionario de la Música Española e Hispanoamericana but his works are copied in two 18th-century manuscript books of polyphony held at Huesca Cathedral (E-H 2 and E-H 3). In the entry "Calatayud" (Diccionario de la Música Española e Hispanoamericana, vol. 2, p. 907), Luis Antonio González Marín states that a chapelmaster named Juan Olorón worked at the Colegiata de Santa María (Calatayud) in 1545.

Locations: 
Submission’s author: 
fl. 1545

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (1551)
Nationality: 
Periods of service: 
1529-1536 Catedral de Santiago de Compostela, maestro de capilla
1541-1551 Catedral de Palencia, maestro de capilla
Biography: 

As pointed out by José López-Calo and Cristina Diego Pacheco, documents related to the brothers Alonso, Pedro and Rodrigo Ordóñez often do not mention the first name, and thus it is difficult sometimes to ascertain their identity. In E-V 05 there are four polyphonic works attributed to Alonso Ordóñez and one to "Rº Ordóñez"; although the initial in the latter ascription has been interpreted as "Racionero" (to refer to Alonso Ordóñez), it is most likely that it refers to Rodrigo Ordóñez. There are no known works attributed to Pedro Ordóñez.

References: 

See Cristina Diego Pacheco's discussion of Alonso Ordóñez's works in E-V 5, of the 'Kyries de Cuaresma y el himno Vexilla regis' possibly by Alonso Ordoñez in Santiago de Compostela; she also mentions a lost Salve Regina attributed to Ordóñez in Tarazona inventories. 

Plasencia?, ? — Palencia, 18-VII-1551

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (1585)
Nationality: 
Periods of service: 
1534 (23-XII)—1539 Santiago de Compostela, niño de coro
1539 (29-IV)—1549 Capilla papal, cantor
1551—1585 Catedral de Palencia, maestro de capilla
Biography: 

As pointed out by José López-Calo and Cristina Diego Pacheco, documents related to the brothers Alonso, Pedro and Rodrigo Ordóñez often do not mention the first name, and thus it is difficult sometimes to ascertain their identity. In E-V 05 there are four polyphonic works attributed to Alonso Ordóñez and one to "Rº Ordóñez"; although the initial in the latter ascription has been interpreted as "Racionero" (to refer to Alonso Ordóñez), it is most likely that it refers to Rodrigo Ordóñez. There are no known works attributed to Pedro Ordóñez.

Regarding Pedro Ordóñez, singer in the Papal Chapel, it should be pointed out (as mentioned by Lopez-Calo), that Haberl stated (based on the Chapel's diaries) that Pedro Ordóñez died in Rome between 17 and 27 November 1549. However, presumably Pedro Ordóñez was named chapelmaster at Palencia Cathedral in 1551 and continued there until his death in 1585. A 1578 document at Palencia cathedral, though, indicates that Ordóñez had been there during forty years, but in 1538 he would have been in Rome, and thus this Ordóñez chapelmaster could be a different person than the Pedro Ordóñez in the Papal Chapel.

Submission’s author: 
? — Palencia, 5-III-1585

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (?)
Nationality: 
Periods of service: 
1553-1556 Catedral de Zamora, maestro de capilla
1556-1559 Catedral de Burgos, maestro de capilla
1559-1560 Catedral de Zamora, maestro de capilla
1560-1561 Catedral de Plasencia, maestro de capilla
1564 Catedral de Jaén (?), maestro de capilla
1574 Catedral de Murcia (?), maestro de capilla
Biography: 

As pointed out by José López-Calo and Cristina Diego Pacheco, documents related to the brothers Alonso, Pedro and Rodrigo Ordóñez often do not mention the first name, and thus it is difficult sometimes to ascertain their identity. In E-V 05 there are four polyphonic works attributed to Alonso Ordóñez and one to "Rº Ordóñez"; although the initial in the latter ascription has been interpreted as "Racionero" (to refer to Alonso Ordóñez), it is most likely that it refers to Rodrigo Ordóñez. There are no known works attributed to Pedro Ordóñez.

López-Calo mentions many possible locations that can or could be related to Rodrigo Ordóñez. 

 

Zamora, ? — ?, fl. 16/3-4

Details

Birth date: 
16/4 (?)
Death date: 
17/2 (?)
Nationality: 
References: 

Composer known only by a six-voice O crux attributed to him in E-Boc 08 (ca. 1610-1630). He also added a cantus voice in O crux in E-Bbc 587.

fl. first half of the 17 century

Details

Birth date: 
15/2
Death date: 
15/4
Nationality: 
Submission’s author: 
Valencia, fl. ca. 1440 — 1484

Details

Birth date: 
16/3
Death date: 
17/1
Nationality: 
Periods of service: 
1580 — 1610 Catedral de Murcia
References: 

Pedro Ortega no tiene entrada en el DMEH; el dato sobre su servicio en la Catedral de Murcia lo da Consuelo Prats.

España, fl. 1580 — 1610

Details

Birth date: 
17/3 (1650)
Death date: 
18/1 (1706)
Nationality: 
Periods of service: 
1657-1664 (Choirboy - Real Colegio Seminario de Corpus Christi, Valencia)
1674-1668 (Chapelmaster - Real Colegio Seminario de Corpus Christi, Valencia)
1669-1675 (?) (Catedral de Albarracín, Teruel)
1677-1706 (Catedral de Valencia)
Submission’s author: 
Rubielos (Teruel), ca. 1650 -- València, 4-XII-1706

Details

Birth date: 
16/1 (1510)
Death date: 
16/3 (1570)
Nationality: 
Submission’s author: 
Toledo, ca. 1510 — Naples?, ca. 1570

Details

Birth date: 
15/3 (1460)
Death date: 
16/2 (1529)
ca. 1460 — 1529

Details

Birth date: 
17/3 (?)
Death date: 
18/1 (1706)
Nationality: 
Periods of service: 
hasta 1684 (2-XII) Catedral de Plasencia, Cáceres
1684 — 1706 Catedral de Córdoba, maestro de capilla
Submission’s author: 
? — Córdoba, 1706

Details

Birth date: 
18/3 (1751)
Death date: 
19/1 (1814)
Nationality: 
Periods of service: 
1774 Iglesia de San Isidoro de Sevilla (maestro de seises a los 23 años)
1786 (19-XII)-1814 (13-VI) Catedral de Oviedo
Submission’s author: 
Zarza la Mayor, Cáceres, ca. 1751 — Oviedo, 13-VI-1814

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (?)
Nationality: 
Periods of service: 
until 1584 (V-12) Colegiata de Antequera (organist)
after 1584 (V-12) Catedral de Palencia (organist)
Biography: 

There are two vihuela works (Seis diferencias de bacas and Seis diferencias sobre bacas) attributed to Francisco Páez in the collection Ramillete de flores (1593), but, as pointed out by John Griffiths, there is no biographical information about this vihuelist/composer.

At the Institución Milá y Fontanals, CSIC, in Barcelona, a card catalog includes the following handwritten, unpublished, entry: "Paez de Salcedo, Francisco. s. XVI. En marzo de 1584 solicita la plaza de organista de la catedral de Palencia. Era organista de Antequera. En los primeros días de mayo 12 de dicho año el cabildo de Palencia le dio posesión del órgano. Documentación de S[antiago] Kastner." Perhaps this Francisco Paez de Salcedo, organist in Antequera (Málaga) first, and in Palencia, starting in 1584, is the same Francisco Páez of the Ramillete de flores.

Submission’s author: 
fl. Antequera and Palencia, 1584

Details

Birth date: 
16/1
Death date: 
16/3 (1552)
Nationality: 
Submission’s author: 
Lisbon, ca. 1500 — Coimbra, 21-XII-1552

Details

Birth date: 
18/4(?)
Death date: 
19/2 (7-VIII-1836)
Nationality: 
Periods of service: 
1794-1797, Catedral de Albarracín (Teruel)
1797-1836, Catedral de Granada
Submission’s author: 
18/4(?)— Granada, 7-VIII-1836

Details

Birth date: 
16/3 (?)
Death date: 
17/1 (?)
Nationality: 
Biography: 

There are several works attributed to this unknown composer in E-Asa 09.

Submission’s author: 
fl. 16/4 —17/1

Details

Birth date: 
16/3-4 ?
Death date: 
17/1 ?
Nationality: 
Submission’s author: 
fl. late 16th century — early 17th century ?
Montehermoso, Cáceres, 28-XI-1682 — Coria, Cáceres, after 1737

Details

Birth date: 
17/4 (?)
Death date: 
18/2 (?)
Nationality: 
Title and date of treatise: 
Memorial sobre la música en los templos
Submission’s author: 
fl. 1700-1725

Details

References: 

Copied E-Tc 30 between 1572 and 1575.

Submission’s author: 
fl. 16/3-4

Details

Birth date: 
17/4 (1689)
Death date: 
18/3 (1752)
Nationality: 
Periods of service: 
1717—1752? Colegiata de Alcañiz
Biography: 

Bernardo Pascual desarrolló toda su carrera en Alcañiz, habiéndose formado como infante de coro primero y obteniendo el beneficio de tenor antes de ser nombrado maestro de capilla en 1717. Es autor de un Adjuva nos a 4 voces.

Locations: 
Submission’s author: 
Alcañiz, Teruel, 18-VIII-1689 — Alcañiz, 1752?

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (1575)
Nationality: 
Periods of service: 
1567: maestro di capella at the monastery of S Francesco, Bologna
1569-1585: maestro di capella at S Antonio, Padia
Submission’s author: 
(d) Padua, II-1585

Details

Birth date: 
18/2 (?)
Death date: 
18/4 (?)
Nationality: 
Submission’s author: 
? — ?

Details

Birth date: 
16/1 (1510)
Death date: 
16/3 (1564)
Nationality: 
Submission’s author: 
Cambrai, ca. 1510 — Valladolid, after 1564

Details

Birth date: 
17/1
Death date: 
17/3
Nationality: 
Periods of service: 
1623 — 1628 Sagrario de la Catedral de Sevilla
1628 — 1634 Real Monasterio de la Encarnación de Madrid
1634 — 1675 Capilla Real de Madrid
Submission’s author: 
Santa María del Campo, Cuenca, 1600 — Madrid, 15-IX-1675

Details

Birth date: 
16/2 (?)
Death date: 
16/3 (?)
Nationality: 
References: 

Three "canzone a la napoletana" ascribed to "Signor Paulo" were printed in the collection Elletione de canzone alla napoletana a tre voci di Rinaldo Burno (Naples or Padua, 1546; RISM 1546/18): Che dici voi me rendere lo core (p. x); Son molti giorni hayme ch'io persi il core (p. xi); and Guarda se prop io fui no sventuato (p. xiiii). 

Submission’s author: 
fl. 1546

Details

Birth date: 
16/1 (1512 ?)
Death date: 
16/3 (1559 ?)
Submission’s author: 
Soignies, ca. 1512 — Madrid, after 24-IV-1559

Details

Birth date: 
16/4 ?
Death date: 
17/3 (1659)
Nationality: 
Periods of service: 
1631 — 1632 Catedral de Morelia
1632? — 1654 Catedral de Guadalajara
1654 — 1659 Catedral de Morelia
Submission’s author: 
fl. 1631 — Morelia, 1659

Details

Birth date: 
16/3 ?
Death date: 
17/1 ?
Nationality: 
References: 

This unidentified composer appears in "Inventario de los libros e impresos de Joan Lauriet, escrito por mossén Pau Pi, "corredor de orella", ciudadano de Barcelona" (1604). See, Emilio Ros-Fábregas, "Libros de música en bibliotecas españolas (III)", Pliegos de Bibliofilia, 17 (2002), pp. 17-54.

Submission’s author: 

Details

Birth date: 
18/4 (?)
Death date: 
19/2 (1835)
Nationality: 
Periods of service: 
1819—1835 Catedral de Ourense
Submission’s author: 
? — Ourense, 1835

Details

Birth date: 
15/3 (1470)
Death date: 
16/2 (1528)
Nationality: 
Submission’s author: 
Talavera de la Reina, Toledo, ca. 1470 — Sevilla, 1-IV-1528

Details

Birth date: 
18/1 (1725)
Death date: 
18/4 (1795)
Nationality: 
Periods of service: 
1733-1741 Catedral de Granada (seise)
1741-1777 Catedral de Granada (bajonista)
1777-1795 Catedral de Granada (maestro de capilla)
Submission’s author: 
Granada?, ca. 1725 - Granada, 14-V-1795

Details

Birth date: 
18/2 (?)
Death date: 
18/4 (?)
Nationality: 
Periods of service: 
1782 Catedral de Cuenca
Submission’s author: 
fl. 1774-1782

Details

Nationality: 
Submission’s author: 
Diocese of Poitiers, 1501 ? — ?

Details

Death date: 
16/4 (1598)
Nationality: 
Submission’s author: 
? — Sevilla, 24-VI-1598

Details

Birth date: 
16/4
Death date: 
17/2
Nationality: 
Submission’s author: 
Sevilla, 1595-96 — Madrid?, after 1635

Details

Death date: 
17/1 (1617)
Nationality: 
Submission’s author: 
? — Toledo, 26-VI-1617

Details

Birth date: 
16/3 (?)
Death date: 
17/1 (1604)
Nationality: 
Submission’s author: 
Toledo, ? — Palencia, 21-VII-1604

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (?)
Nationality: 
Submission’s author: 
fl. mid 16th century

Details

Nationality: 
Biography: 

Copió el Códice de polifonía 26 (E-Tc 26) de la Catedral de Toledo en 1591.

Submission’s author: 
fl. 1591

Pages