List of musicians

Info

This website provides basic information about musicians and non-musicians related to music books in the database; it is not intended to present a full biography of musicians, but to establish useful connections with their sources, institutions, locations, works, documents, and bibliography. Under "Locations" of a composer's entry we list all the locations in which the composer lived and those in which his music is currently found; under "Institutions", we list only the institutions where the composer worked or to which he applied for a position through the so-called "oposiciones". Whenever possible, we'll try to indicate the approximate periods of service in each institution. The distinction between "Locations" and "Institutions" provides a useful overview about the dissemination of a composer's works; for instance, Sebastián Aguilera de Heredia (1561-1627) worked only in two cathedrals ("institutions") in Huesca and Zaragoza, but his music is found in at least twenty-two "locations" in Spain and the New World.

Displaying 801 - 900 of 1479

Details

Birth date: 
15/3 (?)
Death date: 
16/1 (?)
Nationality: 
Periods of service: 
1486 Capilla de Isabel la Católica
Biography: 

In April 1486 he was payed as singer and chapelmaster of Isabel la Católica's chapel.

Submission’s author: 
fl. 1486

Details

Birth date: 
15/4 (?)
Death date: 
16/2 (?)
Nationality: 
Periods of service: 
ca. 1525-ca. 1545 Catedral de Sevilla, maestro de los mozos de coro
Title and date of treatise: 
Arte de canto llano (Seville, 1530)
References: 

Juan Martínez was "maestro de los mozos de coro" at Seville Cathedral from ca. 1525 to after 1545. The attributions of two works, a Salve regina and a Te Deum, in E-GRcr 02 to the theorist Juan Martínez should be considered tentative, but plausible; although the manuscript was copied in 1785, it contains retrospective repertory from the 16th century. These two would be the only known works by him. For a detailed discussion about Juan Martínez, see Mazuela-Anguita (2014), p. 101-107.   

Submission’s author: 
fl. Seville, ca. 1525 - ca. 1545

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (?)
Nationality: 
Periods of service: 
1561 — 1562 Catedral de Vic
Locations: 
References: 

Manuscript E-Boc 59 reads: "És de mossén Noffre Martínez mestre de cant de la seu de Vic".

Submission’s author: 
fl. 1561 — 1562

Details

Birth date: 
15/2 (1440)
Death date: 
15/4 (1498)
Nationality: 
Submission’s author: 
Brabant, ca. 1440 — 1497/8

Details

Birth date: 
14/4 (?)
Death date: 
15/2 (?)
Submission’s author: 
fl. c1520

Details

Birth date: 
16/4 (?)
Death date: 
17/2 (?)
Nationality: 
Submission’s author: 
fl. c1600

Details

Birth date: 
16/2
Death date: 
17/1
Nationality: 
Submission’s author: 
Cremona, before 1550 — Piacenza or Lodi, after 1608

Details

Birth date: 
17/4 (?)
Death date: 
18/2 (1747)
Nationality: 
Periods of service: 
ca.1702-1747 Monastery of Santa Ana de Ávila ("bajona" and "violón").
Biography: 

According to Alfonso de Vicente (1989), p. 16, "Teresa Dionisia Mathee de Vedoya, bajona y violón" (bassoonist and violon instrumentist), born in Palencia, was professed as a nun in the Monastery of Santa Ana de Ávila in 1702, and she died there in 1747.

Submission’s author: 
Palencia, ? — Ávila, 1747)

Details

Birth date: 
16/4 (?)
Death date: 
17/2 (1641)
Nationality: 
Submission’s author: 
fl. 1616-41

Details

Birth date: 
17/2 (1638)
Death date: 
18/1 (1700)
Nationality: 
Submission’s author: 
1638-1700

Details

Birth date: 
15/3
Death date: 
16/1
Submission’s author: 
Sevilla, fl. 1477-1524

Details

Birth date: 
16/2 (1546)
Death date: 
16/4 (1577)
Nationality: 
Periods of service: 
1550-1554 (?): choirboy at Dresden Hofkapelle
1563-1572: Kantorei of the Protestant Margrave Georg Friedrich of Brandenburg-Ansbach
1577: Kapellmeister at the court of Eitel Friedrich von Hohensollern, Hechingen
Submission’s author: 
Senftenberg, Lower Lusatia, 1542 - Hechingen, Württemberg, 31-XII-1577

Details

Birth date: 
16/3 (1554)
Death date: 
16/4 (1598)
Nationality: 
Submission’s author: 
Mechelen, ca. 1554 — ?, ca. 1598

Details

Birth date: 
17/2 (1639)
Death date: 
18/1 (1703)
Nationality: 
Submission’s author: 
Pistoia, 4 Feb 1639 - Roma, 3 Oct 1703

Details

Birth date: 
15/3
Death date: 
16/2 (1528)
Nationality: 
15/3 (?) — Medina de Rioseco, 3-IX-1528

Details

Birth date: 
19/3 (?)
Death date: 
20/1 (?)
Nationality: 
Biography: 

According to Alfonso de Vicente (1989), p. 17, "doña Paula Mendizábal" teached music to Rosario Elustondo, who was nun musician in the Monastery of Santa Ana de Ávila from her profession in 1899 until her death in 1952.

Submission’s author: 
fl. Ávila, 19/4

Details

Birth date: 
18/3?
Death date: 
19/1?
Nationality: 
Periods of service: 
1793 Catedral de Valencia
Submission’s author: 
Valencia, fl. 1793

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (?)
Nationality: 
Biography: 

Italian composer of French origin

Submission’s author: 
fl. ca. 1538-1552

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (?)
Nationality: 
Submission’s author: 
fl. 1560-76

Details

Birth date: 
16/2 (1540)
Death date: 
17/1 (1601)
Nationality: 
Institutions: 
Biography: 

The singer Alessandro Merlo has been confused with the composer Alessandro Romano; this confusion is maintained in RISM and in the Printed Sacred Music Database. According to Sherr (p. 464), Merlo's career "makes it nearly impossible for Merlo to be the same person as the composer Alessandro Romano, with whom he has been confused since the 19th century. Romano, who claimed to be a pupil of Willaert and Rore, published his first book of madrigals in 1554 (when Merlo was a choirboy in the Cappella Giulia)". 

Locations: 
Submission’s author: 
Roma, ca. 1540 — Roma, 22-IV-1601

Details

Birth date: 
16/2 (1533)
Death date: 
17/1 (1604)
Nationality: 
Submission’s author: 
Correggio, 8-IV-1533 — Parma, 4-V-1604

Details

Birth date: 
18/2 (?)
Death date: 
18/4 (?)
Nationality: 
Periods of service: 
1761 — 1795 Catedral de La Plata (hoy Sucre)
Biography: 

Son of Manuel de Mesa [Fernández de Mesa], chapelmaster of La Plata cathedral (today Sucre). 

Submission’s author: 
fl. Sucre, Bolivia, 1761-1795

Details

Birth date: 
18/2 (1726)
Death date: 
18/3
Nationality: 
Periods of service: 
1762 — 1773 Catedral de La Plata (hoy Sucre)
Biography: 

Father of Manuel de Mesa y Carrizo, musician and composer of La Plata cathedral (today Sucre). 

Submission’s author: 
ca. 1726 — La Plata (hoy Sucre), 1773

Details

Birth date: 
16/1 (1510)
Death date: 
16/3 (1576)
Nationality: 
Submission’s author: 
b Bad Säckingen, 1510; Basel, Nov 1576

Details

Birth date: 
18/2 (?)
Death date: 
18/4 (?)
Submission’s author: 
fl. 1850-1875

Details

Birth date: 
15/4
Death date: 
16/1
Nationality: 
Submission’s author: 
fl. late-15th early-16th centuries

Details

Birth date: 
15/4 (?)
Death date: 
16/2 (2)
Nationality: 
Biography: 

He is known as the composer of 24 pieces ascribed to "Millan" in E-Mp II-1335 "Cancionero Musical de Palacio", but there is no information about his identity. Barbieri (1890) stated that he served as a singer of the royal chapel in 1501-1502, but he gave no reference and his name has not been found in later research. An identification with vihuelist Luis Milán (owing to the similarity of their last names) should be discarded, since they are from different generations.

Submission’s author: 
fl. Spain, early 16th century

Details

Birth date: 
16/1 (1521)
Death date: 
16/4 (1589)
Nationality: 
Submission’s author: 
Paris, ¿1521 — Ferrara, 8-IX-1589

Details

Nationality: 
Biography: 

An hymn entitled Sancti Fructi for four voices is ascribed to "M[a]r[ian]o Mir y Llusa 1739" in E-SE 2. This work is a late addition to this manuscript copied in 1739. There are two Hispanic composers with the same family name (Mir y Llusá) who lived in the 18th century: José Mir y Llusá (?—1764) and Juan Mir y Llusá (?—1779). Mariano Mir y Llusá is not included in the Diccionario de la Música Española e Hispanoamericana.

Submission’s author: 
fl. 1739

Details

Birth date: 
16/2 [?]
Death date: 
16/4
Nationality: 
Submission’s author: 
Probably born in Sicily; fl. northern Italy, 1566-1592

Details

Nationality: 
Periods of service: 
1751-92 Catedral de Murcia
Submission’s author: 

Details

Birth date: 
18/1
Death date: 
18/4
Nationality: 
Periods of service: 
1723—1731 Colegiata de San Patricio, Lorca (Murcia)
1731—1751/73 Catedral de Murcia
References: 

María Martínez Millán en DMEH, vol. 7, p. 612, sugiere que Francisco de MIras nació y murió en Murcia; la fecha de fallecimiento la sitúa "después de 1783", probablemente porque como dice al final "...estuvo muy ligado a la catedral de Murcia, en cuyo archivo musical se conservan una lamentación, dos motetes y tres salmos, uno de ellos fechado en 1783."

El manuscrito al que hace referencia Martínez Millán no está en RISM, ya que E-MUc A-4 sólo contiene una obra de Francisco de Miras ("Regem apostolorum Dominum"). La otra obra suya citada por RISM (a partir del catálogo de López-Calo, p. 381, no es de polifonía) está en una partitura de Zamora (E-ZAc 34/4, nº 4): " 'Tota pulchra, para cinco voces y orquesta, compuesto en 1773 por D. Francisco Mirás, maestro de capilla de la santa iglesia catedral de Murcia': a 5 v. ('tiple solo', SATB), dos violines, dos óboes, dos trompas en do, fagot y 'violón bajo'. Partitura".  La fecha de composición de esta obra nos indica que Miras (¿o MIrás?) seguía como maestro de capilla en Murcia después de 1751 (fecha en la que según Consuelo Prats dejó de ser maestro de capilla en Murcia).

Consuelo Prats Redondo en "Murcia", DMEH, vol. 7, p. 893, indica que Francisco Miras fue maestro de capilla de la Catedral de Murcia entre 1731 y 1751; a él le sustituyó Ángel Miras Esrich (1751-1792). Consultar el libro más reciente de Consuelo Prats y tratar de aclarar el conflicto de fechas y si el nombre del compositor lleva acento o no. Las obras de MIras en Murcia citadas por Martínez Millán podrían aclarar la cronología de este compositor.

Según Martínez Millán, p. 612, Francisco de MIras Muñoz: "Fue MC en la colegial de San Patricio de Lorca (Murcia) de 1723 a 1731. Fue discípulo de Pedro Muñoz Monserrate, primer organista de la catedral de Murcia. Sustituyó a Manuel Comeres en el magisterio de la colegial y fue su primer puesto como MC. Anteriormente, el 10 de mayo de 1720, se había presentado como opositor, junto con Manuel Comeres y Diego Jordán, para cubrir la vacante de Juan Pérez de los Cobos, oposición que no llegó a realizarse porque manuel Comeres obtuvo del obispo la concesión del título de MC por ser el único pretendiente sacerdote. 

Cuando Comeres se despidió, Miras le sustituyó interinamente, y el 23 de julio de 1723 el Cabildo le nombró MC.... En 1729 solicitó licencia para ir a Granada, donde se le ofrecía la futura del magisterio en la Real Capilla, pero regresó a Lorca. El 20 de septiembre de 1731 se despidió de la colegial y se fue a Murcia como segundo MC de la catedral. Le sustituyó [en la colegial] Tomás Sáez. Fue arcediano en la catedral de Cuenca y estuvo muy ligado a la catedral de Murcia, en cuyo archivo musical se conservan una amentación, dos motetes y tres salmos, uno de ellos fechado en 1783".

Incorporar los datos de los músicos citados.

Submission’s author: 
fl. 1723—1783

Details

Birth date: 
16/4 (?)
Death date: 
17/2 (?)
Nationality: 
Submission’s author: 
Ravenna, fl. 1609

Details

Birth date: 
15/4 (1490)
Death date: 
16/2 (1550)
Nationality: 
Institutions: 
Submission’s author: 
diocese of Cambrai, ca. 1490 — Cambrai, 7-IV-1550

Details

Birth date: 
17/4 (1690)
Death date: 
18/3 (1759)
Nationality: 
Periods of service: 
ca. 1708-1759 Monastery of Santa Ana de Ávila (singer)
Biography: 

According to Alfonso de Vicente (1989), p. 16, "Josefa Teresa Molés, cantora" (singer), born in Zaragoza in 1690, was professed as a nun in the Monastery of Santa Ana de Ávila in 1708, and she died there in 1759.

Submission’s author: 
Zaragoza, 1690 — Ávila, 1759

Details

Nationality: 
Periods of service: 
1792-1811 Catedral de Murcia
Submission’s author: 

Details

Birth date: 
16/3
Death date: 
17/2
Nationality: 
Submission’s author: 
Genoa, ca. 1570 — after 1633

Details

Birth date: 
15/4 (?)
Death date: 
16/1 (?)
Nationality: 
Periods of service: 
1502-1504 Capilla de Isabel la Católica
1504-1516 Capilla de Fernando el Católico
Submission’s author: 
fl. 1502—1516

Details

Birth date: 
17/3 (1654)
Nationality: 
Submission’s author: 
Villafranca de Morella, Castellón, 1654--?

Details

Birth date: 
17/3 (?)
Death date: 
18/1 (?)
Nationality: 
Periods of service: 
1692—1711 Catedral de Murcia
Biography: 

This composer has no entry in the Diccionario de la música española e hispanoamericana (DMEH).

Consuelo Prats Redondo, "Murcia", DMEH, vol. 7, p. 893, indicated that Roque Monserrate was chapelmaster at Murcia cathedral between 1692 and 1711.

RISM attributes erroneously three compositions in E-MUc 4 to the theorist Andrés de Monserrate owing to its last name, but in fact the works should be attributed to the chapelmaster Roque Monserrate. The last name of this composer appears as "Montserrat" in the ascriptions of his works in Orihuela.

Submission’s author: 
fl. 1692—1711

Details

Birth date: 
16/3
Death date: 
17/1
Periods of service: 
1614 (capiscol)
Title and date of treatise: 
Arte breve y compendiosa de las dificultades que se ofrecen en la música práctica del canto llano (Valencia, 1614)
References: 

RISM atribuye tres obras en E-MUc 4 al teórico Andrés de Monserrate, pero es probable que se trate de obras de Roque Monserrate, maestro de capilla de la Catedral de Murcia entre 1692 y 1711.

16/3—17/1

Details

Birth date: 
16/2 (ca. 1528)
Death date: 
16/4 (ca. 1592)
Nationality: 
Title and date of treatise: 
Arte de música theorica y practica (Valladolid, 1592)
Submission’s author: 
?, ca. 1528 — ?, ca. 1592

Details

Birth date: 
15/3 (?)
Death date: 
16/1 (?)
Biography: 

See also Cubells.

Submission’s author: 
fl. 15/4—16/1

Details

Birth date: 
16/3 (1570)
Death date: 
17/1 (1607)
Nationality: 
Submission’s author: 
Nápoles, ca. 1570 — Nápoles, 1607

Details

Birth date: 
16/1 (?)
Death date: 
16/4 (?)
Biography: 

Unknown composer. Several lost works are also attributed to "Montes" in the 16th-century inventories of choirbooks at Tarazona Cathedral.

Submission’s author: 
fl. 16th century

Details

Birth date: 
16/3 (1567)
Death date: 
17/2 (1543)
Nationality: 
Submission’s author: 
Cremona, 15 May 1567 - Venezia, 29 Nov 1643)

Details

Birth date: 
16/4
Death date: 
17/2 (?)
Nationality: 
Periods of service: 
1609- Monastery of Santa Ana de Ávila (singer)
Biography: 

According to Alfonso de Vicente (1989, p. 16), Magdalena de Mora, "cantora" (singer), born in Salamanca, was professed as a nun in the Monastery of Santa Ana de Ávila in 1609.

Submission’s author: 
b. Salamanca, ? — fl. Àvila, 1609

Details

Birth date: 
16/1 (1500)
Death date: 
16/3 (1553)
Nationality: 
References: 

The list of Cristóbal de Morales's sources and works in the present platform is still in progress. For the most comprehensive list of Morales's works (with concordances) and a detailed discussion of conflicting attributions, misattributions, and possible new works, see Martin Ham, "Morales: The Canon" (2007) and "Worklist" (2007). 

Sevilla, ca. 1500 — Málaga? / Marchena, Sevilla?, 1553

Details

Birth date: 
15/4 (?)
Death date: 
16/2 (?)
Nationality: 
Periods of service: 
1540 Catedral de Sevilla
Submission’s author: 
fl. 1540

Details

References: 

See Owen Rees, Polyphony in Portugal, p. 160: "Although Moran's identity remains a mistery, his name suggests that he may have been of Spanish origin".

Submission’s author: 

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (1597)
Nationality: 
Submission’s author: 
Bergamo - München, 1597

Details

Birth date: 
16/2 (?)
Death date: 
17/1 (?)
Nationality: 
Periods of service: 
1557-1610 Catedral de Toledo, scribe
Biography: 

According to Noone (2011), p. 7, n. 11: "Little is known about Alonso de Morata, though it is clear from payment documents that he worked as a scribe for Toledo cathedral from at least as early as 1557 until 1610. He is listed in the 1561 census where his address is given as Calle de la Carcel del Arçobispo, a small street in the Parish of San Pedro, very close to the cathedral, occupied by chaplains, prebendaries and canons of the cathedral. The scribes Antonio de Morata and Andrés de Morata, whose names also appear in payment documents, were presumably Alonso's sons; see Linda Martz and Julio Porres, Toledo y los toledanos en 1561 (Toledo: Diputación Provincial, 1974), p. 193.

Submission’s author: 
fl. Toledo, 1557-1610

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (?)
Periods of service: 
before 1576 Capilla del Duque de Bragança
Submission’s author: 
fl. Portugal, 16th century

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (?)
Nationality: 
Submission’s author: 
fl. 1553-1558

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (?)
Nationality: 
Submission’s author: 
fl. Nevers, 1534-52

Details

Birth date: 
18/1 (?)
Death date: 
18/3 (?)
Nationality: 
Submission’s author: 
fl. Jaén, 1741

Details

Birth date: 
18/2 (1731)
Death date: 
18/4 (1793)
Nationality: 
Periods of service: 
1741-1753 Catedral de Valencia
1753-1757 Real Colegio del Corpus Christi (Valencia)
1757-1758 Iglesia de Santa María (Castellón)
1758-1768 Catedral de Cuenca
1768-1793 Catedral de Valencia
Biography: 

En 1714 ingresó en la Catedral de Valencia como infantillo, donde posteriormente desempeñó los puestos de mozo de coro y acólito. Su aprendizaje musical lo realizó de la mano de MC de la Catedral de Valencia, Jośe Pradas. En 1753 ocupó el puesto, de manera interina, de organista  del Real Colegio del Corpus Christi de Valencia, sustituyendo a Baltasar Martínez; este puesto lo consiguión en 1755 en propiedad. Cuendo se jubiló José Pradas, en 1757, concurrió a la vacante de MC de la Catedral de Valencia, que, sin embargo, obtuvo Pascual Fuentes. Ese mismo año Morera consiguió la plaza  de organista de la parroquie de Santa María de Castellón, donde permaneció hasta 1758, cuendo fue nombrado MC de la Catedral de Cuenca.

En Cuenca, Morera padeció algunos problemas de salud y de adaptación, debido a diversos enfrentamientos que mantuvo con los músicos de la capilla. A la muerte de Juan Francés de Iribarren, MC de la catedral de Málaga, se convocaron oposiciones a dicha plaza a las que concurrió Morera sin éxito, ya que el puesto fue ganado por Jaime Gregorio Torrens Rexano.

El 29 de julio de 1768 obtuvo el cargo de MC de la Catedral de Valencia, al quedar esta plaza vacante por el fallecimiento de Pascual Fuentes. Morera desempeñó este puesto hasta su jubilación en 1793, meses antes de su fallecimiento.

 

 

References: 

Cabañas, Fernando J. "Morera Cots, Francisco". En Diccionario de la Música Española e Hispanoamericana. Madrid: Sociedad General de Autores y Editores, 1999-2001, vol. 7, pp. 815-817.

Submission’s author: 
San Mateo (Castellón), 4-IV-173— Valencia, 19-X-1793

Details

Birth date: 
16/1 (1515)
Death date: 
16/3 (?)
Nationality: 
Submission’s author: 
c1515 - fl. 1530-53

Details

Birth date: 
16/3 (?)
Death date: 
17/1 (1610)
Nationality: 
Submission’s author: 
Viadanna, nr Mantua; fl. 1581-1610

Details

Nationality: 
Submission’s author: 
fl. 1587—1610

Details

Birth date: 
16/1 (?)
Death date: 
16/3 (?)
Submission’s author: 
fl. 1539

Details

Birth date: 
16/2 ?
Death date: 
16/4 (1589)
Nationality: 
Submission’s author: 
Rome, ? — Rome, 18-IV-1589

Details

Birth date: 
15/4
Death date: 
16/2
Nationality: 
Submission’s author: 
1484? — ca. 1550

Details

Birth date: 
15/2 (?)
Death date: 
15/4 (?)
Nationality: 
Biography: 

There is no biographical information about Moxica, the composer of two works in the Cancionero Musical de Palacio, one of them with a concordance in an Italian manuscript (I-Fn Mgl. XIX.176) compiled ca. 1475-80. Perhaps he was related to Adrián de Moxica (1453-ca. 1499), a nobleman and explorer who in 1498 accompanied Columbus in his third voyage to the Americas; he was arrested and hanged for participating in a rebellion against Columbus in 1499. 

Submission’s author: 
fl. 1475-1500

Details

Birth date: 
18/3 (1756)
Death date: 
18/4 (1791)
Nationality: 
Submission’s author: 
Salzburg, Austria, 27-I-1756 — Vienna, Austria, 5-XII-1791

Details

Birth date: 
16/1 (1510)
Death date: 
16/4 (1580)
Nationality: 
Periods of service: 
before 1546 Capilla del Duque del Infantado, Guadalajara
before 1546 Palencia
1546—1580 Catedral de Sevilla
Submission’s author: 
?, ca. 1510 — Sevilla, 1-IV-1580

Details

Birth date: 
17/4
Death date: 
18/2
Nationality: 
Biography: 

Gran parte de su producción musical, como la de otros maestros del Real Monaterio de la Encarnación de Madrid, se encuentra en Montserrat.

Cuenca, 10-I-1698 — Madrid, 1743

Details

Birth date: 
15/4 (?)
Death date: 
16/2 (?)
Submission’s author: 

Details

Birth date: 
17/ 3-4 ?
Death date: 
18/2 (1732)
Nationality: 
Periods of service: 
1706 — 1732 Catedral de Badajoz
Submission’s author: 
? — Badajoz, 1732 ?

Details

Birth date: 
17/4 (1689)
Death date: 
18/2 (1738)
Nationality: 
Periods of service: 
ca.1706-1738 Monastery of Santa Ana de Ávila (singer)
Biography: 

According to Alfonso de Vicente (1989), p. 16, "Teresa Muñoz, cantora" (singer), born in Calatayud in 1689, was professed as a nun in the Monastery of Santa Ana de Ávila in 1706, and she died there in 1738.

Submission’s author: 
b. Calatayud, Zaragoza, 1689 — Ávila, 1738

Details

Birth date: 
16/3 (1554)
Death date: 
16/4 (1591)
Nationality: 
Submission’s author: 
Calahorra, La Rioja, ca. 1554 — Cuenca, 11-V-1591

Details

Birth date: 
16/1 (1513)
Death date: 
16/ (1546)
Nationality: 
Submission’s author: 
Liège, c1513 - Rome, c1546

Details

Birth date: 
16/3 (1560)
Death date: 
17/1 (1623)
Nationality: 
Vallerano, Viterbo, ca. 1560 — Roma?, 1623

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