16/4 (1591) [14]

Document: 
Description: 
Mas ay un libro de cubiertas coloradas de motetes magnificas / y himnos de dibersos auctores son los siguientes: Morales, Sumens ilud ave, a 1 / Pastrana, Tibi soli peccavi, a 2 / Morales, Ave maris stella, a 2 / Pastrana, Vexilla Regis, a 3 / Vasurto, Abraham genuit Isaach, a 4 / Vasurto, O lux et decus, a 8 / Vasurto, O felix anna, a 10 / Jusquin, Rogamus te, a 12 / Peñalosa, Ave maria, a 14 / Peñalosa, Ave maria , a 16 / Ricafort, Quem dicunt homines, a 17 / Silba, Surrexit pastor, a 19 / [----------], Ecçe cruçem d[omi]ni, a 20 / [----------], Viri galilei, a 21 / Ribaflecha, Quam pulcra es, a 22 / Monton, Regem arcangelorum, a 24 / Erasmiy, Nativitas, a 27 / Silba, Laetatus sum, a 29 / Monton, Puer natus, a 31 / Hotinet Bara, Nuptiae facte sunt, a 33 / Jusquin, Qui habitat, a 35 / Jusquin, In exitu, a 39 / Binçençius, Salve Regina, a 45 / Carpentras, Salve Regina, a 48 / Jusquin, Missus est, a 51 / Jusquin, Ave maria, a 52 / Monton, Felix nac [sic], a 53 / Laurus, Ascendens, a 55 / Fevin, Vulnerasti, a 56 / Laurus, Visita q[uesumu]s d[omi]ne, a 58 / Laurus, Gaude virgo, a 60 / Montes, Levavi, a 62 / Pastrana, Vidi aquam, a 64 / Jusquin, Nigra sum, a 65 / Pastrana, Circundederunt me, a 66 / Jusquin, Salve, a 67 / Jusquin, Stabat mater, a 69 / Montes, Erat d[omi]n[u]s Jesus, a 71 / Ribera, Ne proiicias me, a 72 / Pastrana, Regina çoeli, a 74 / Monton, In illo tempore, a 76 / Pastrana, Et exultavit, a 78 / Pastrana, Ecce nos Reliquimus, a 81 / Pastrana, Asperges, a 82 / Escobar, Vale igitur Hieronyme, a 84 / Jusquin, Pater noster, a 85 / Mastre Nicolas, Tulerunt, a 86 / Pastrana, Beata nobis, a 87 / Pastrana, Fabordones son ocho, a 88 / Pastrana, Beata quoque, a 90 / Pastrana, Pange lingua, a 91 / Pastrana, Nuncius celso, a 92 / Pastrana, Vita dulçedo, a 93 / Pastrana, Ave Maris stella, a 95 / Pastrana, Hostis herodes, a 96 / Pastrana, Illustre quiddam, a 97 / Jusquin, Dum complerentur, a 98 / Faber, Benite et videte, a 100 / Monton, Mag[nifica]t, a 103 / Monton, Mag[nifica]t, a 105 / Vargas, Te mane laudum, a 108 / Alonso, Vita dulçedo, a 109 / Morales, Exultemus, a 111 / Jusquin, Ave Maria, 112 / Morales, Fatigatus, a 113 / Sanabria, Adorna talamun, a 114 / Vargas, Cum sublevaset, a 116 / Esquinas, Tanto tempore, a 117 / Vargas, Gabriel, a 118 / Esquinas, O blasi, a 120 / Jaquet, Fratres ego enim acçepi a D[omi]no, a 122 / Baçan, Tu cum virgineo, a 125 / Logroño, Patrem omnipotentem, a 126 / Morales, Nuncius çelso, a 131 / Morales, Asperges, a 133 / Morales, Salve, a 135 / Vasurto, Vexilla Regis, a 137 / Vasurto, Los dichos de la pasion, a 138 / [----------] Donec ponam, a 144 / Jusquin, Requiem eternam, a 147 / Parumbide, Deleth. Vie Sion, a 150 / Parumbide, Caph defeçerum, a 152 / [----------], Et factum est postquam, a 154.
Comments: 

Inventory 1 adds to this description of the same item in Inventory 2 the following: "Este es de mano de / Lobayna y sin rubrica y otro de las quinze / missas del mesmo Lobayna". According to Calahorra, (1992), p. 13, "Lobayna" could suggest the provenance of the manuscript, but in fact refers to the name of a canon at Tarazona Cathedral with that name, who owned books used by the music chapel. 

Submission’s author: 
Last modified: Emilio Ros-Fábregas - 09 Aug 2020

How to cite

Emilio Ros-Fábregas, "16/4 (1591) [14]", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 28 Jan 2022), https://hispanicpolyphony.eu/node/16501