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Torre, Francisco de la

List of works

Source: E-Mp II-1335 ("Cancionero Musical de Palacio")
Work ID Title Ascription MS / Print Date
E-Mp II-1335 (cclxxv/233r) Adorámoste Señor Fº dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxxxix'-ccxc/247v-248r) Adorámoste Señor Fº dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxxiii/181r) Alta f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxxviii'-ccxxix/186v-187r) Pues que todo os descontenta f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cl'-148v) No fie nadie en amor f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (lxxx'-lxxxi/89v-90r) Airado va el gentilhombre f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (lxxx/89r) Pascua de Espíritu Santo f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (lxxxi'/90v) Triste qué será de mí f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (lxxxvii'/94vA) Por los campos de los moros F° dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (viii/17rA) Pámpano verde f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (xliiii'-xlv/53v-54r) Oh cuán dulce serías muerte Fº dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (xxii'-xxiii/31v-32r) Damos gracias a ti Dios f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (xxxi'-xxxii/40v-41r) Justa fue mi perdición f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (xxxii'-xxxiii/41v-42r) Peligroso pensamiento f dela torre MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (xxxv'-xxxvi/44v-45r) La que tengo no es prisión Fº dela torre MS 15/4-16/1 (1496-1520)
Source: E-Sco 7-1-28 ("Cancionero Musical de la Colombina")
Work ID Title Ascription MS / Print Date
E-Sco 7-1-28 (lxix') Dime triste corazón Francisco de la Torre MS 15/4
Source: E-TZ 02/03
Work ID Title Ascription MS / Print Date
E-TZ 02/03 (ccxxvii'-ccxxviii/225v-226r/125v-126r) Ne recorderis f. la torre MS 16/2-3
Source: E-V 05
Work ID Title Ascription MS / Print Date
E-V 05 (149v-150r) Libera me Domine Anon. MS 16/4-17/1
E-V 05 (71v-72r) Ne recorderis Anon. MS 16/4-17/1
Source: MEX-Mc 02
Work ID Title Ascription MS / Print Date
MEX-Mc 02 (13v-14r) Ne recorderis Anon. MS 18/1 (1700)
Source: MEX-Mc 11
Work ID Title Ascription MS / Print Date
MEX-Mc 11 (xc'-xci) Ne recorderis Anon. MS 17/1 (1600)
Source: MEX-Mrc 1
Work ID Title Ascription MS / Print Date
MEX-Mrc 1 (44r-44v) Ne recorderis Anon. MS 18/1 (1700)

Documentation

Document ID (Date) Title of the document
16/4 (1591) [Inventories 2 and 3 of polyphonic music at Tarazona cathedral]. Inuentario de los libros de la música. Inuentario de los libros de musica que ay en la yglesia de taraçona. Memoria de los libros que ay de musica en la Iglesia de Taraçona y de las hobras que ay en ellos con los nombres de los auctores.
16/3 (1552-1561) Inventario [1] de los libros de música que ay en la yglesia de Taraçona / y de las obras que ay en ellos con los nombres de los auctores

Inventories for composer

Bibliography

Details

City and publisher: 
Subject document: 
Type of publication: 
1960

Details

Ed. / Coord.: 
Range of pages: 
Vol. 25, 628
Subject person: 
Type of publication: 
2001

Details

Ed. / Coord.: 
Range of pages: 
504-548
City and publisher: 
Type of publication: 
Abstract: 

One of the most striking characteristics of the music from the Spanish kingdoms at the time of Ferdinand and Isabel in comparison with other musical traditions of the same period is the relative scarcity of sources of instrumental and polyphonic music. This lack can partly be explained by the loss of many manuscript sources and the late introduction of music printing in Spain; El Maestro by Luis Milán, printed in 1536, is the earliest Spanish collection of solo instrumental music and accompanied songs, as well as the first printed Spanish tablature. However, there is a third reason: the importance of oral tradition in the transmission and performance of music in Spanish culture during the Renaissance, in both sacred and secular contexts. This essay will survey the different traditions of unwritten music in Spain at the time of the Catholic Monarchs: in the liturgical context, particular emphasis will be placed on the transmission and performing practices of extempore counterpoint and unwritten fabordones; and in the secular context, several aspects related to the oral repertory of vernacular songs, both polyphonic and accompanied, as well as instrumental music will be considered.

Language of the publication: 
2016
Last modified: - 15 Feb 2020

How to cite

Emilio Ros-Fábregas, , Andrea Puentes-Blanco, , Javier Marín-López, "Torre, Francisco de la", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 29 Nov 2020), https://hispanicpolyphony.eu/person/13536