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Wreede [Urreda/Urrede], Johannes [Juan]

Sources (MSS)

Date Provenance/Origins/Place of publication
E-Bbc 0454 ("Cancionero Musical de Barcelona") 15/4-16/1-2
E-CC s.s. 17/2 (1633)
E-GRcr 06 16/4-17/1
E-GU 2 17/1-3
E-LEDc s.s. [1] 16/4
E-LERc 1 16/4
E-MA 02 17/2 (1635)
E-MO 2991 17/1 Aragón, Zaragoza, Zaragoza (ciudad)
E-Mp II-1335 ("Cancionero Musical de Palacio") 15/4-16/1 (1496-1520)
E-P 4 18/2 (1732)
E-Sco 7-1-28 ("Cancionero Musical de la Colombina") 15/4
E-SD 2 18/1-4
E-SE 02 17/1 (1607-1628), 18/2 (1739)
E-SE s.s. ("Cancionero Musical de Segovia") 15/4 (1498-1500)
E-Tc 25 16/2 (1546, 1549)-18/1 (1710-1733)
E-TZ 02/03 16/2-3
E-VAc 05 19/1 (1801)
E-VAc 08 17/4—18/4 (?)
E-VAc 11 18/1-4 (?)
I-Bc 16 15/4 (1487)
I-Bc 17 15/4-16/1
I-Bc 18 16/1
I-Fn Magl. XIX.176 15/3 (1475-80)
I-Fn Magl. XIX.178 15/4 (1492-94)
I-Fr 2356 15/3 (1480-85) 16/2 (1540)
I-MC 871 "Cancionero Musical de Montecassino" 15/4 (1480-1500) Other countries, Europa, Italia, Gaeta, Cassino, Napoli/Naples/Nápoles, Regno di Napoli
I-PEc 431 15/4 (1484-1495) Other countries, Europa, Italia, Regno di Napoli
I-VEcap 757 15/4-16/1 (1500)
MEX-Mrc 1 18/1 (1700) Other countries, Américas, México, México D.F.
NL-Uu 3 L16 "Codex Lerma" 17/1 (1600-10) Castilla y León, Burgos, Lerma, Palencia, Palencia (ciudad)
P-Cug MM 012 16/2-3
P-Ln C.I.C. 60 "Cancioneiro de Lisboa" 16/3 (1570)
P-Pm 40 16/3-4 Other countries, Europa, Portugal, Braga
US-BLI 08 16/4 Other countries, Américas, Guatemala, San Juan Ixcoy
US-BLI 09 16/4 Other countries, Américas, Guatemala, San Mateo Ixtatán
V-CVbav C.G. XIII, 27 ("Codex Medici") 15/4 (1492-1494)
V-CVbav C.S. 014 15/3-4 (1474) Other countries, Europa, Italia, Napoli/Naples/Nápoles, Regno di Napoli

List of works

Source: E-GU 2
Work ID Title Ascription MS / Print Date
E-GU 2 (84v-86r) Pange lingua gloriosi Corporis mysterium Utreda MS 17/1-3
Source: E-MA 02
Work ID Title Ascription MS / Print Date
E-MA 02 (53v-57r) Pange lingua gloriosi Corporis mysterium URREDA, Mtro. MS 17/2 (1635)
Source: E-Mp II-1335 ("Cancionero Musical de Palacio")
Work ID Title Ascription MS / Print Date
E-Mp II-1335 (xi'-xii'/20v-21v) De vos y de mí quejoso J vrrede MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (xiiii'-xv'/23v-24v) Muy triste será mi vida J vrrede MS 15/4-16/1 (1496-1520)
E-Mp II-1335 ([0]'-i/10v-11r) Nunca fue pena mayor J vrrede MS 15/4-16/1 (1496-1520)
Source: E-Sco 7-1-28 ("Cancionero Musical de la Colombina")
Work ID Title Ascription MS / Print Date
E-Sco 7-1-28 (li'-lii') De vos y de mí quejoso Anon. MS 15/4
E-Sco 7-1-28 (xix'-xxi) Muy triste será mi vida Anon. MS 15/4
E-Sco 7-1-28 (xvi'-xvii) Nunca fue pena mayor Jo. Urede MS 15/4
Source: E-Tc 25
Work ID Title Ascription MS / Print Date
E-Tc 25 (64v-65r) Pange lingua gloriosi Corporis mysterium Anon. MS 16/2 (1549)
Source: E-TZ 02/03
Work ID Title Ascription MS / Print Date
E-TZ 02/03 (ix'-x/12v-13r) Pange lingua gloriosi Corporis mysterium Jo. Vreda MS 16/2-3
Source: E-VAc 05
Work ID Title Ascription MS / Print Date
E-VAc 05 (p. 37) Ave maris stella MS 19/1 (1801)
E-VAc 05 (p. 45) Pange lingua gloriosi Corporis mysterium MS 19/1 (1801)
Source: I-Bc 16
Work ID Title Ascription MS / Print Date
I-Bc 16 (134v-135r [119v-120r]) Nunca fue pena mayor Anon. MS
I-Bc 16 (144v-145r [127v-128r]) De vos y de mí quexoso Anon. MS
Source: I-Bc 17
Work ID Title Ascription MS / Print Date
I-Bc 17 (11r) Nunca fue pena mayor Anon. MS
Source: I-Bc 18
Work ID Title Ascription MS / Print Date
I-Bc 18 (89v-90r) Nunca fue pena mayor Anon. MS
Source: I-Fn Magl. XIX.176
Work ID Title Ascription MS / Print Date
I-Fn Magl. XIX.176 (91v-92r) Numquam fuit pena magior Anon. MS
Source: I-Fn Magl. XIX.178
Work ID Title Ascription MS / Print Date
I-Fn Magl. XIX.178 (37v-38r) Numquam fuit pena magior Anon. MS 15/4 (1492-94)
Source: I-Fr 2356
Work ID Title Ascription MS / Print Date
I-Fr 2356 (24v-25r) Nunca fue pena mayor Anon. MS
Source: I-PEc 431
Work ID Title Ascription MS / Print Date
I-PEc 431 (77v-78r / 87v-88r) Nunca fue pena mayor Jo. Urede MS
Source: I-VEcap 757
Work ID Title Ascription MS / Print Date
I-VEcap 757 (57v-58r) Nunca fue pena mayor Anon. MS
Source: MEX-Mrc 1
Work ID Title Ascription MS / Print Date
MEX-Mrc 1 (16r) Pange lingua gloriosi Corporis mysterium Anon. MS 18/1 (1700)
Source: V-CVbav C.G. XIII, 27 ("Codex Medici")
Work ID Title Ascription MS / Print Date
V-CVbav C.G. XIII, 27 (21v-22r / 28v-29r) Nunca fue pena mayor Enrique MS 15/4 (1492-1494)
Source: V-CVbav C.S. 014
Work ID Title Ascription MS / Print Date
V-CVbav C.S. 014 (6v-10r) Missa De beata Virgine Jo. Wreede brugen MS 15/3-4 (1474)

Works based on his music and composers who used his music

Documentation

Document ID (Date) Title of the document
16/4 (1591) [Inventories 2 and 3 of polyphonic music at Tarazona cathedral]. Inuentario de los libros de la música. Inuentario de los libros de musica que ay en la yglesia de taraçona. Memoria de los libros que ay de musica en la Iglesia de Taraçona y de las hobras que ay en ellos con los nombres de los auctores.
16/3 (1552-1561) Inventario [1] de los libros de música que ay en la yglesia de Taraçona / y de las obras que ay en ellos con los nombres de los auctores

Inventories for composer

Bibliography

Details

City and publisher: 
Subject document: 
Type of publication: 
1960

Details

Type of publication: 
Music books: 
Abstract: 

Based on Knighton's 1983 doctoral dissertation, her 1999 "Prólogo" to this publication of reference updates the bibliography and research on this topic up to that time. The appendices to this study included chronological list of payments to Ferdinand's musicians from 1475 to 1516, payments to musicians of the Castilian royal chapel (1484-1504), transcriptions of documents, inventories of three manuscript sources with repertory associated with the royal chapels of Isabel and Ferdinand, and short biographies of composers.

2001

Details

Ed. / Coord.: 
Range of pages: 
504-548
City and publisher: 
Type of publication: 
Abstract: 

One of the most striking characteristics of the music from the Spanish kingdoms at the time of Ferdinand and Isabel in comparison with other musical traditions of the same period is the relative scarcity of sources of instrumental and polyphonic music. This lack can partly be explained by the loss of many manuscript sources and the late introduction of music printing in Spain; El Maestro by Luis Milán, printed in 1536, is the earliest Spanish collection of solo instrumental music and accompanied songs, as well as the first printed Spanish tablature. However, there is a third reason: the importance of oral tradition in the transmission and performance of music in Spanish culture during the Renaissance, in both sacred and secular contexts. This essay will survey the different traditions of unwritten music in Spain at the time of the Catholic Monarchs: in the liturgical context, particular emphasis will be placed on the transmission and performing practices of extempore counterpoint and unwritten fabordones; and in the secular context, several aspects related to the oral repertory of vernacular songs, both polyphonic and accompanied, as well as instrumental music will be considered.

Language of the publication: 
2016
Last modified: - 15 Feb 2020

How to cite

Emilio Ros-Fábregas, , Andrea Puentes-Blanco, , Javier Marín-López, "Wreede [Urreda/Urrede], Johannes [Juan]", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 26 Oct 2021), https://hispanicpolyphony.eu/person/14024