Navigation (people):


Navarro, Matías

Birth and death dates: 
Elche, Alicante, ca. 1670 -- Orihuela, Alicante, 7/8-III-1727
Birth date: 
17/3 (1670)
Death date: 
18/2 (1727)
Nationality: 
Periods of service: 
?-1696 Parroquia de Santa María de Elche, Alicante
1696 (12-VI) - 1727 Catedral de Orihuela
Sources (MSS): 

Sources (MSS)

Date Provenance/Origins/Place of publication
E-ORIc 01 18/1 (1715)
E-ORIc 02 18/4 (?) Comunidad Valenciana, Alicante, Orihuela
E-ORIc 03 18/4 (1786)
E-ORIc 12 17/4—18/1 (?)
E-ORIc 13 18/1

List of works

Source: E-ORIc 01
Work ID Title Ascription MS / Print Date
E-ORIc 01 (100v-107r) In exitu Israel Mathiae Navarro MS 18/1 (1715)
E-ORIc 01 (107v-108r) Nos qui vivimus Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (108v-110r) Gloria, laus et honor Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (15v-22r) Missa in Feriis Quadragesimae Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (1v-3r) Veni ad liberandum nos Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (23v-27r) Credidi Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (27v-33r) Eripe me Domine Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (33v-37r) Voce mea Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (37v-39r) Stabat Mater Mathiae Navarro MS 18/1 (1715)
E-ORIc 01 (39v-44r) Magnificat 6 toni Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (3v-14r) Missa in Dominicis Adventus et Quadragesimae Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (44v-51r) Benedictus Dominus Deus Mathiae Navarro MS 18/1 (1715)
E-ORIc 01 (51v-53r) Christus factus est Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (53v-78r) Popule meus Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (78v-79r) Per sanctam resurrectionem Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (79v-80r) Per adventum Spiritus Sancti Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (81v-94r) Missa duo canon in diatezaron Mathias Navarro MS 18/1 (1715)
E-ORIc 01 (94v-95r) Laudate Dominum Mathiae Navarro MS 18/1 (1715)
E-ORIc 01 (95v-100r) Magnificat 8 toni Mathiae Navarro MS 18/1 (1715)
E-ORIc 01 ([iv']-1r) Gaude Virgo Mathias Navarro MS 18/1 (1715)
Source: E-ORIc 02
Work ID Title Ascription MS / Print Date
E-ORIc 02 (102v-104r) Domine quando veneris Anon. MS 18/4
E-ORIc 02 (104v-107r) Ne recorderis Anon. MS 18/4
E-ORIc 02 (107v) Libera me, Domine, de morte Anon. MS 18/4
E-ORIc 02 (43v-48r) Parce mihi Domine Navarro MS 18/4
E-ORIc 02 (48v-53r) Responde mihi Navarro MS 18/4
E-ORIc 02 (54v-60r) Spiritus meus Navarro MS 18/4
E-ORIc 02 (95v-97r) Subvenite Anon. MS 18/4
E-ORIc 02 (98v-101r) Qui Lazarum Anon. MS 18/4
Source: E-ORIc 03
Work ID Title Ascription MS / Print Date
E-ORIc 03 (51v-57r) Magnificat 3 toni. Anima mea Navarro MS 18/4 (1786)
E-ORIc 03 (81v-87r) Magnificat 5 toni. Et exsultavit Navarro MS 18/4 (1786)
Source: E-ORIc 12
Work ID Title Ascription MS / Print Date
E-ORIc 12 (16v-17r) Conceptio tua Navarro MS
E-ORIc 12 (23v-24r) Conceptio tua Navarro MS
Source: E-ORIc 13
Work ID Title Ascription MS / Print Date
E-ORIc 13 (28v-30r) Parce mihi Navarro MS 18/1
E-ORIc 13 (30v-32r) Responde mihi Navarro MS 18/1

Bibliography

Details

Journal volume and issue: 
XXI (1)
Range of pages: 
169-196
Subject person: 
Subject location: 
Subject genre: 
Type of publication: 
Language of the publication: 
1998

Details

Range of pages: 
vol. 7, 989-990
Subject person: 
Type of publication: 
1999-2002

Details

Subject source: 
Subject location: 
Subject genre: 
Type of publication: 
Music books: 
Abstract: 

Resumen

La primera parte del trabajo consiste en un estudio del manuscrito que abarca los siguientes apartados: inventario de su contenido, descripción codicológica, estudio del contexto ceremonial en el que se interpretaba su repertorio, y recorrido histórico de la fuente desde su creación hasta la actualidad. La segunda parte del trabajo comprende la transcripción de las obras contenidas en este libro de las que nunca se ha realizado una edición crítica: siete motetes de Roque Monserrat y dos de Matías Navarro. En esta parte también se incluyen los criterios editoriales seguidos, así como el aparato crítico donde se exponen las diferencias entre el original y la transcripción.

Abstract

The first part of the work consists of a study of the manuscript that includes the following sections: inventory of its content, codicological description, study of the ceremonial context in which this repertory was performed, and the historical tour of the source from its creation to the present. The second part of the work includes the transcription of the works contained in this book, of which a critical edition has never been made: seven motets by Roque Monserrat and two by Matías Navarro. This last part also includes the editorial criteria applied for the transcription and the critical apparatus showing the differences between the manuscript and the transcription.

Language of the publication: 
2015
Last modified: - 15 Feb 2020

How to cite

Antonio Pardo-Cayuela, "Navarro, Matías", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 27 Oct 2021), https://hispanicpolyphony.eu/person/14852