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Escobar, Pedro

List of works

Source: E-Mp II-1335 ("Cancionero Musical de Palacio")
Work ID Title Ascription MS / Print Date
E-Mp II-1335 (cciiii'/162v) Vencedores son tus ojos Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccli/209rA) Corazón triste sufrid Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccliiii'/212v) El día que vi a Pascuala Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclv'-cclvi/213v-214r) Gran placer siento yo ya Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxxii'-cclxxiii/230v-231r) Virgen bendita sin par Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxxxii/190r) Pásame por Dios barquero Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cli/149r) Ojos morenicos Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxix'-cxx/119v-120r) Secáronme los pesares Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxli/139rA) Paséisme ahora allá serrana Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxxix/127rA) Lo que queda es lo seguro Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxxx/128r) No debo dar culpa a vos Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxxxiiii/132rA) Nuestra ama Minguillo Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (l'-li/59v-60r) Ora sus pues que ansí es / Ahora sus pues que así es Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (lxix/78r) No pueden dormir mis ojos Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (lxxiii'-lxxiiii/82v-83rB) Oh alto bien sin revés Eſcobar: Oſequia MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (xcv'/99v) Quedaos adiós Escobar MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (xliii/52r) Las mis penas madre Escobar MS 15/4-16/1 (1496-1520)
Source: E-Sc 01
Work ID Title Ascription MS / Print Date
E-Sc 01 (31v-33r) Memorare piissima opprobia Petrus escobar MS 16/3 (1550 - 1554)
Source: E-Tc 21
Work ID Title Ascription MS / Print Date
E-Tc 21 (56v-58r) Clamabat autem mulier Escobar MS 16/2 (1549)
Source: E-TZ 02/03
Work ID Title Ascription MS / Print Date
E-TZ 02/03 (cc'-ccix/198v-207r/142v-151r) Missa De nuestra Señora Escobar, p.losa, p.hrs, aº pz dalua MS 16/2-3
E-TZ 02/03 (ccix'-ccxvii/207v-215r/151v-159r) Missa De nuestra Señora Jo. ancheta, Escobar, scobar MS 16/2-3
E-TZ 02/03 (ccxvii'-ccxxvii/215v-225r/159v-125r) Missa Pro defunctis Escobar MS 16/2-3
E-TZ 02/03 (ccxxix'-ccxxxii/227v-230r/127v-[130r]) Salve Regina p. escobar MS 16/2-3
E-TZ 02/03 (clx'-clxxi/158v-169r/102v-113r) Missa Escobar MS 16/2-3
E-TZ 02/03 (i'-ii/4v-5r) Veni redemptor gentium Escobar MS 16/2-3
E-TZ 02/03 (ii'-iii/5v-6r) Hostis Herodes impie Escobar MS 16/2-3
E-TZ 02/03 (lxvii'-lxviii/65v-66r) Asperges me Escobar MS 16/2-3
E-TZ 02/03 (lxviii'-lxx/66v-68r/[0]v-2r) Asperges me Escobar MS 16/2-3
E-TZ 02/03 (xii'-xiii/15v-16r) Hi sunt olivae duae Escobar MS 16/2-3
E-TZ 02/03 (xiii'-xiiii/16v-17r) Ave maris stella Escobar MS 16/2-3
E-TZ 02/03 (xiiii'-xv/17v-18r) Ave maris stella Escobar MS 16/2-3
E-TZ 02/03 (xvii'-xviii/20v-21r) Exsultet caelum laudibus Escobar MS 16/2-3
E-TZ 02/03 (xviii'-xix/21v-22r) Deus tuorum militum Escobar MS 16/2-3
E-TZ 02/03 (xx'-xxi/23v-24r) Iste confessor Domini sacratus Escobar MS 16/2-3
Source: I-Fn 107bis
Work ID Title Ascription MS / Print Date
I-Fn 107 bis (59r [47r]) Lo que queda es lo seguro Anon. MS

Documentation

Document ID (Date) Title of the document
16/4 (1591) [Inventories 2 and 3 of polyphonic music at Tarazona cathedral]. Inuentario de los libros de la música. Inuentario de los libros de musica que ay en la yglesia de taraçona. Memoria de los libros que ay de musica en la Iglesia de Taraçona y de las hobras que ay en ellos con los nombres de los auctores.
16/4 (1588-02-19) Inventario de la librería de canto de órgano de la sancta Yglesia de Seuilla, que están a cargo del Maestro de Capilla de la dicha sancta Yglesia
16/3 (1552-1561) Inventario [1] de los libros de música que ay en la yglesia de Taraçona / y de las obras que ay en ellos con los nombres de los auctores

Bibliography

Details

City and publisher: 
Subject document: 
Type of publication: 
1960

Details

Journal volume and issue: 
11/1
Range of pages: 
3-24
Subject person: 
Type of publication: 
Music books: 
Abstract: 

This article contains a transciption of some Escobar's pieces.

Link to online publication: https://revistas.uchile.cl/index.php/IAMR/article/view/53052/55674

1990

Details

Ed. / Coord.: 
Range of pages: 
Vol. 8, 314-315
Subject person: 
Type of publication: 
2001

Details

Ed. / Coord.: 
Range of pages: 
504-548
City and publisher: 
Type of publication: 
Abstract: 

One of the most striking characteristics of the music from the Spanish kingdoms at the time of Ferdinand and Isabel in comparison with other musical traditions of the same period is the relative scarcity of sources of instrumental and polyphonic music. This lack can partly be explained by the loss of many manuscript sources and the late introduction of music printing in Spain; El Maestro by Luis Milán, printed in 1536, is the earliest Spanish collection of solo instrumental music and accompanied songs, as well as the first printed Spanish tablature. However, there is a third reason: the importance of oral tradition in the transmission and performance of music in Spanish culture during the Renaissance, in both sacred and secular contexts. This essay will survey the different traditions of unwritten music in Spain at the time of the Catholic Monarchs: in the liturgical context, particular emphasis will be placed on the transmission and performing practices of extempore counterpoint and unwritten fabordones; and in the secular context, several aspects related to the oral repertory of vernacular songs, both polyphonic and accompanied, as well as instrumental music will be considered.

Language of the publication: 
2016
Last modified: - 15 Feb 2020

How to cite

Emilio Ros-Fábregas, , Andrea Puentes-Blanco, "Escobar, Pedro", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 22 Jan 2021), https://hispanicpolyphony.eu/person/16456