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Escobar, Pedro

List of works

Source: E-Sc 01
Work ID Title Ascription MS / Print Date
E-Sc 01 (31v-33r) Memorare piissima opprobia Petrus escobar MS 16/3 (1550 - 1554)
Source: E-Tc 21
Work ID Title Ascription MS / Print Date
E-Tc 21 (56v-58r) Clamabat autem mulier Escobar MS 16/2 (1549)
Source: E-TZ 02/03
Work ID Title Ascription MS / Print Date
E-TZ 02/03 (cc'-ccix/198v-207r/142v-151r) Missa De nuestra Señora Escobar, p.losa, p.hrs, aº pz dalua MS 16/2-3
E-TZ 02/03 (ccix'-ccxvii/207v-215r/151v-159r) Missa De nuestra Señora Jo. ancheta, Escobar, scobar MS 16/2-3
E-TZ 02/03 (ccxvii'-ccxxvii/215v-225r/159v-125r) Missa Defunctorum Escobar MS 16/2-3
E-TZ 02/03 (ccxxix'-ccxxxii/227v-230r/127v-[130r]) Salve Regina p. escobar MS 16/2-3
E-TZ 02/03 (clx'-clxxi/158v-169r/102v-113r) Missa Escobar MS 16/2-3
E-TZ 02/03 (i'-ii/4v-5r) Veni redemptor gentium Escobar MS 16/2-3
E-TZ 02/03 (ii'-iii/5v-6r) Hostis Herodes Escobar MS 16/2-3
E-TZ 02/03 (lxvii'-lxviii/65v-66r) Asperges Escobar MS 16/2-3
E-TZ 02/03 (lxviii'-lxx/66v-68r/[0]v-2r) Asperges Escobar MS 16/2-3
E-TZ 02/03 (xii'-xiii/15v-16r) Hi sunt olivae duae Escobar MS 16/2-3
E-TZ 02/03 (xiii'-xiiii/16v-17r) Ave maris stella Escobar MS 16/2-3
E-TZ 02/03 (xiiii'-xv/17v-18r) Ave maris stella Escobar MS 16/2-3
E-TZ 02/03 (xvii'-xviii/20v-21r) Exultet caelum laudibus Escobar MS 16/2-3
E-TZ 02/03 (xviii'-xix/21v-22r) Deus tuorum militum Escobar MS 16/2-3
E-TZ 02/03 (xx'-xxi/23v-24r) Iste confessor Domini sacratus Escobar MS 16/2-3
Source: I-Fn 107bis
Work ID Title Ascription MS / Print Date
I-Fn 107 bis (59r [47r]) Lo che cheda es lo seghuro Anon. MS

Documentation

Document ID (Date) Title of the document
16/4 (1588-02-19) Inventario de la librería de canto de órgano de la sancta Yglesia de Seuilla, que están a cargo del Maestro de Capilla de la dicha sancta Yglesia

Bibliography

Details

Ed. / Coord.: 
Range of pages: 
Vol. 8, 314-315
Subject composer: 
Type of publication: 
2001

Details

Ed. / Coord.: 
Range of pages: 
504-548
City and publisher: 
Type of publication: 
Abstract: 

One of the most striking characteristics of the music from the Spanish kingdoms at the time of Ferdinand and Isabel in comparison with other musical traditions of the same period is the relative scarcity of sources of instrumental and polyphonic music. This lack can partly be explained by the loss of many manuscript sources and the late introduction of music printing in Spain; El Maestro by Luis Milán, printed in 1536, is the earliest Spanish collection of solo instrumental music and accompanied songs, as well as the first printed Spanish tablature. However, there is a third reason: the importance of oral tradition in the transmission and performance of music in Spanish culture during the Renaissance, in both sacred and secular contexts. This essay will survey the different traditions of unwritten music in Spain at the time of the Catholic Monarchs: in the liturgical context, particular emphasis will be placed on the transmission and performing practices of extempore counterpoint and unwritten fabordones; and in the secular context, several aspects related to the oral repertory of vernacular songs, both polyphonic and accompanied, as well as instrumental music will be considered.

Language of the publication: 
2016
Last modified: - 11 Oct 2017

How to cite

Emilio Ros-Fábregas, , Andrea Puentes-Blanco, "Escobar, Pedro", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 22 Mar 2019), https://hispanicpolyphony.eu/person/16456