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Encina [Enzina], Juan del

Birth and death dates: 
Fermoselle, 12-VII-1468 — León, 1529
Birth date: 
15/3 (1468)
Death date: 
16/2 (1529)
Nationality: 
Type of musician: 

List of works

Source: E-Mp II-1335 ("Cancionero Musical de Palacio")
Work ID Title Ascription MS / Print Date
E-Mp II-1335 (c'-ci/103v-104r) Los suspiros no sosiegan J del enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cc'-cci/158v-159r) Nuevas te traigo Carillo J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cci'-ccii/159v-160r) Daca bailemos Carillo J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccii'-cciii/160v-161r) Quién te trajo caballero J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cciii'-cciiii/161v-162r) Una amiga tengo hermano J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccix'-ccx/167v-168r) Más vale trocar J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxi'-cclxii/219v-220r) El que tal señora tiene J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxvi'-cllxvii/224v-225r) A quién debo yo llamar j dellēzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxx'-cclxxi/228v-229r) Oh Reyes Magos benditos j dellēzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxxv'-cclxxvi/233v-234r) Fata la parte J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxxx'-cclxxxi/238v-239r) Pelayo tan buen esfuerzo / Pelayo ten buen esfuerzo J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxxx/238rA) Tan buen ganadico J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxxxv'-cclxxxvi/243v-244r) Rebelóse mi cuidado j delensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cclxxxvi'-cclxxxvii/244v-245rA) Todos los bienes del mundo J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccv'-ccvi/163v-164r) Ya cerradas son las puertas J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccvii'-ccviii/165v-166r) Ay triste que vengo J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxi'-ccxii/169v-170r) Ya no quiero ser vaquero J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxii'-ccxiii/170v-171r) Quédate Carillo adiós J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxiii'-ccxiiii/171v-172r) Pues no te duele mi muerte J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxix'-ccxx/177v-178r) Razón que fuerza J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxl'/198v) Para verme con ventura j delensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxlviii'/206v) Romerico tú que vienes J dell ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxv'-ccxvii/173v-175r) Ya soy desposado J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxv/173r) Decidme pues suspirásteis J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxviii'-ccxix/176v-177r) Ermitaño quiero ser J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxviii/176r) Antonilla es desposada J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxx'-ccxxi/178v-179r) Ya no espero que en mi vida J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxxiiii'/182v) A tal pérdida tan triste J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ccxxxii'-ccxxxiii/190v-191r) Serviros y bien amaros J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (ci'-cii/104v-105r) Gasajémonos de usía J dell ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cii'-ciii/105v-106r) Ninguno cierre las puertas J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cix'-cx/112v-113r) Vuestros amores he señora J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cllxvii'-cclxviii/225v-226r) Ya no quiero tener fe j dellēzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (clv'/153v) Pues que ya nunca nos veis J ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cv'-cvi/108v-109r) Hoy comamos y bebamos J del enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cvii'-cviii/110v-111r) Si amor pone las escalas J del enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cviii'-cix/111v-112r) Si habrá en este baldrés J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cx'/113v) Levanta Pascual levanta J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxcix/157r) Pedro y bien te quiero J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxcvii'/155v) El que rige y el regido J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxcviii'/156v) Paguen mis ojos J dell enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxi'/114v) Partísteisos mis amores J del ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxiii'/116v) Pues que mi triste penar J del êsina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxliiii'-cxlv/142v-143r) Caldero y llave J. ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (cxxxi'/129v) Congoja más que cruel J ensina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (li'/60v) Qué es de ti desconsolado del enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (lii'-liii/61v-62r) Yo me estaba reposando del enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (liii'-liiii/62v-63r) Mi libertad en sosiego del enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (liiii'-lv/63v-64r) Señora de hermosura del enzina MS 15/4-16/1 (1496-1520)
E-Mp II-1335 (lv'-lvi/64v-65r) Triste España sin ventura J del ensina MS 15/4-16/1 (1496-1520)

Pages

Bibliography

Details

City and publisher: 
Subject document: 
Type of publication: 
1960

Details

Journal volume and issue: 
8/2
Range of pages: 
13-99
Type of publication: 
Abstract: 

This article looks over the role and influence of some Spanish musicians from the Fourteenth and early Fifteenth century, such as the theorists Juan Gil de Zamora (Johannes Aegiddius Zamorensis), Petrus Hispanus, Guillermus de Podio and Ramos de Pareja; and the composers Fernando de Córdoba, Johannes Cornago, Pere Oriola, Bernard Icart, Johannes de Yllianas, Juan Escribano and Juan del Encina.
 

Links to online publication:

https://revistas.uchile.cl/index.php/IAMR/article/view/53474/56089

https://revistas.uchile.cl/index.php/IAMR/article/view/53475/56090

1987

Details

Ed. / Coord.: 
Range of pages: 
Vol. 8, 193-196
Subject person: 
Type of publication: 
2001

Details

Ed. / Coord.: 
Range of pages: 
504-548
City and publisher: 
Type of publication: 
Abstract: 

One of the most striking characteristics of the music from the Spanish kingdoms at the time of Ferdinand and Isabel in comparison with other musical traditions of the same period is the relative scarcity of sources of instrumental and polyphonic music. This lack can partly be explained by the loss of many manuscript sources and the late introduction of music printing in Spain; El Maestro by Luis Milán, printed in 1536, is the earliest Spanish collection of solo instrumental music and accompanied songs, as well as the first printed Spanish tablature. However, there is a third reason: the importance of oral tradition in the transmission and performance of music in Spanish culture during the Renaissance, in both sacred and secular contexts. This essay will survey the different traditions of unwritten music in Spain at the time of the Catholic Monarchs: in the liturgical context, particular emphasis will be placed on the transmission and performing practices of extempore counterpoint and unwritten fabordones; and in the secular context, several aspects related to the oral repertory of vernacular songs, both polyphonic and accompanied, as well as instrumental music will be considered.

Language of the publication: 
2016
Last modified: - 15 Feb 2020

How to cite

Emilio Ros-Fábregas, "Encina [Enzina], Juan del", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 29 Nov 2020), https://hispanicpolyphony.eu/person/22381