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Correggio, Claudio

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Details

Signature: 
Libro de polifonía impreso 34 (S,A,5): Motectarum divinitatis liber primus
Archive / Library: 
Catedral de Tarazona (Zaragoza). Archivo Capitular
Date: 
16/3 (1569)
Genre: 
Sacred vocal›Motet
Provenance/Origins/Place of publication: 
Other countries›Europa›Italia›Venezia/Venice/Venecia
MS / Print: 
Print
Printer: 
Correggio, Claudio
Merulo, Claudio
Paper / Parchment: 
Paper
Physical description: 

Sevillano annotated: "1 vol. 150 x 210 mm., 48 págs. Solamente se conservan las partes del Cantus, Altus, Quintus".

Although Sevillano described it as one volume, they are now three separate partbooks with covers of white cardboard/paper with the centered inscription, in brown ink, "Cantus", "Altus", Quintus", respectively. All three have, in the same hand and ink, below the voice designation: "Motetes a 5 de diversos autores". 

See also Printed Sacred Music Database: http://www.printed-sacred-music.org/manuscripts/00000000003483

Origin and/or generic typology of sources: 
1. Sources of polyphony in the Hispanic world and/or sources of Hispanic polyphony in any country
2. Sources of polyphony in Spain of non-Hispanic provenance
2a—With Hispanic repertory
2b—With non-Hispanic repertory
Composers: 
Brumel, Antoine
Courtois [Courtoys, Cortois, Mourtois], Jean
Lupi, Johannes (Leleu, Jehan; Leleu, Jennot)
Maistre Jhan [Jan, Jehan]
Morales, Cristóbal de
Penet, Hilaire [Hylaire]
Phinot [Finot, Finotto], Dominique [Dominico]
Richafort, Jean
Sermisy, Claudin de
Tudual [Tugdual, Tugdualo]
Werrecore [Verare, Verecore, Verrecore, Verrecorensis], Matthias [Mathias] Hermann [Mathias Fiamengo]
Willaert, Adrian
Submission’s author: 
Emilio Ros-Fábregas
E-TZ Impr. 34 [RISM 1569/2]
Motectarum divinitatis liber primus que quinque absolute vocibus ex multis pretantissimorum musicorumacademiis collecta sunt ac denuo impressa. Liber primus

Details

Signature: 
75/865
Archive / Library: 
Catedral de Valladolid. Archivo de Música
Date: 
16/3 (1622)
Genre: 
Secular›Madrigal
Secular›Secular Italian
Provenance/Origins/Place of publication: 
Other countries›Europa›Italia›Venezia/Venice/Venecia
MS / Print: 
Print
Printer: 
Correggio, Claudio
Paper / Parchment: 
Paper
Physical description: 

Voice parts held: SATB (complete)

Origin and/or generic typology of sources: 
2. Sources of polyphony in Spain of non-Hispanic provenance
2b—With non-Hispanic repertory
Composers: 
Anon.
Barré [Barrae, Barri, Barret], Leonardo
Berchem, Jacquet de
Festa, Costanzo
Verdelot [Deslouges], Philippe
Willaert, Adrian
Submission’s author: 
Andrea Puentes-Blanco
Antoni Llofriu Prohens
E-V Impr. 075/865 [RISM V1238; RISM 1566/22]
I madrigali del primo et secondo libro di Verdelot a quattro voci; nuovamente ristampati, et da molti e importanti errori con ogni diligentia corretti da Claudio da Correggio

Details

Signature: 
Music Collections A.296.
Date: 
16/3 (1568)
Genre: 
Sacred vocal›Magnificat
Provenance/Origins/Place of publication: 
Other countries›Europa›Italia›Venezia/Venice/Venecia
MS / Print: 
Print
Printer: 
Correggio, Claudio
Paper / Parchment: 
Paper
Physical description: 

Only Bassus partbook is preserved.

For more information about this book, see Printed Sacred Music: http://www.printed-sacred-music.org/manuscripts/00000000002297

Origin and/or generic typology of sources: 
1. Sources of polyphony in the Hispanic world and/or sources of Hispanic polyphony in any country
1a—Sources of Hispanic polyphony outside the Iberian Peninsula (Spain and Portugal)
Composers: 
Morales, Cristóbal de
Submission’s author: 
Antoni Llofriu
GB-Lbl A.296. [RISM M3599]
Magnificat...cum quatuor vocibus
Submitted by: Emilio Ros-Fábregas - 12 Oct 2017
Last modified: - 15 Feb 2020

How to cite

Emilio Ros-Fábregas, "Correggio, Claudio", Books of Hispanic Polyphony, ed. E. Ros-Fábregas (accession date: 21 Sep 2021), https://hispanicpolyphony.eu/person/25722