Navigation (Type of musician)

instrumentist (violin / violín)

List of persons

Displaying 1 - 10 of 14

Details

Birth date: 
18/3 (1772)
Death date: 
19/2 (1832)
Nationality: 
Periods of service: 
1798 (28-III)--1807 (1-IV) Catedral de Orihuela
1807 (2-IV)--? Colegiata de Alicante
1815 ((1-XI)--1832 (4-VI) Catedral de Orihuela
Biography: 

El 28-III-1798 tomó posesión de la plaza de violinista de la Catedral de Orihuela. El 2-IV-1807 lo hizo de la de MC de la colegiata de Alicante. El 1-XI-1815 obtuvo el puesto de MC de la Catedral de Orihuela, puesto que ocupó hasta su muerte.

Submission’s author: 
?, ca. 1772 — Orihuela, Alicante, 4-VI-1832

Details

Birth date: 
19/3 (?)
Death date: 
20/1 (?)
Nationality: 
Biography: 

Evaristo Bargiela Martínez se presentó en 1882 a la plaza de maestro de capilla de la Catedral de Tui (siendo violinista y cantor de esa Catedral), pero ganó Manuel Martínez Posse. Copió en 1903 el cantoral de polifonía 5 (E-TUY 5) con obras de Morales, Palestrina, García Benayas y Martínez Posse. 

Locations: 
Submission’s author: 
fl. 19/4 - 20/1

Details

Birth date: 
16/4 (1589)
Death date: 
17/2 (1630)
Nationality: 
Submission’s author: 
Brescia, ?1589 - Padova, ?1630

Details

Birth date: 
18/3 (?)
Death date: 
19/1 (?)
Nationality: 
Biography: 

Regarding Bernarda Garrido, Alfonso de Vicente (1989), p. 15, annotated: "[...] de 1801 data un memorial sobre Bernarda Garrido, música que ha entrado en el convento de la Encarnación [de Ávila] sin dote, donde ha estado siempre 'tocando el órgano y violín, componiendo y cantando quantos papeles de música se han ofrecido', lo que 'la ha constituido en una grabe cortedad de vista, en continuos intensos dolores de cabeza, o jaquecas, y en un considerable afecto de pecho, que la ha puesto en peligro manifiesto de perder la vida', por lo que su hermano pide que le admitan la dote para que la sustituyan de música".

Submission’s author: 
fl. before 1801

Details

Birth date: 
18/2 (1733)
Death date: 
19/1 (1814)
Nationality: 
Periods of service: 
1743-1755 Cathedral of Tarazona, Zaragoza (choirboy).
1755-1761 Cathedral of Tarazona, Zaragoza (instrumentist: violin and "bajón"). In 1658-1659 he studied composition for six months in Zaragoza.
1758-1759 Zaragoza (he studied composition for six months, probably with Francisco Javier García Fajer, "El Españoleto").
1759 Tarazona Cathedral (unsuccessful candidate/"opositor" to chapelmaster).
1760 Zaragoza (candidate/"opositor" to "bajón" player, probably unsuccessful).
1761-1778 Cathedral of Ávila ("bajón" and second violin). He took holy orders.
1767-1778 Monastery of Santa Ana de Ávila (chapelmaster)
1767 Cathedral of Zamora (unsuccessful candidate/"opositor" to chapelmaster).
1768 Palencia (unsuccessful attempt for a musical position, probably as "bajón" at the Cathedral).
1769 Cathedral of Málaga (unsuccessful candidate/"opositor" to chapelmaster).
1770 Cathedral of León (unsuccessful candidate/"opositor" to chapelmaster).
1771 Cathedral of Calahorra, La Rioja (unsuccessful candidate/"opositor" to chapelmaster).
1775 Cathedral of Granada (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Plasencia, Cáceres (unsuccessful candidate/"opositor" to chapelmaster).
1778 Cathedral of Santo Domingo de La Calzada, La Rioja (chapelmaster).
1778-1780 Collegiate Church of San Miguel of Alfaro, La Rioja (chapelmaster).
1780 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
1780-1814 Cathedral of Pamplona (chapelmaster).
1782 Cathedral of Segovia (unsuccessful candidate/"opositor" to chapelmaster).
1791-1792 Cathedral of Burgos (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Valencia (unsuccessful candidate/"opositor" to chapelmaster).
1793 Cathedral of Ávila (unsuccessful candidate/"opositor" to chapelmaster).
Biography: 

The known works by Francisco de la Huerta are found in "papeles sueltos" (particelle) and not in choibooks. He has been incorporated to this database, since he was an important chapelmaster in different cathedrals and at the Monastery of Santa Ana in Ávila; he obviously had direct contact with the books of polyphony and with the performance of that repertory in the institutions where he worked.

The main part of the extant compositions by Huerta are preserved in the Pamplona Cathedral and in the Monastery of Santa Ana in Ávila, but there are also pieces by him preserved in the cathedrals of Ávila, Astorga (León), the Collegiate Church of San Miguel de Alfaro (La Rioja), the Royal Collegiate of Roncesvalles (Navarre), and the Monastery of San Lorenzo de El Escorial (Madrid).

Submission’s author: 
Borja, Zaragoza, ca. 2-XII-1733 — Pamplona, 8-III-1814

Details

Birth date: 
18/2 (1743)
Death date: 
18/4 (1781)
Nationality: 
Periods of service: 
1760-1781, Monasterio de Santa Ana de Ávila (singer and violinist).
Biography: 

As seen in documents consulted by María Gembero-Ustárroz in Madrid, Archivo Histórico Nacional (E-Mah), María Gertrudis Teresa Josefa Lasegue (Segue) Díez entered the Monastery of Santa Ana de Ávila on 15 June 1760, together with her younger sister María Teresa. María Gertrudis took her final vows on 18 August 1761. According to Alfonso de Vicente (1989), p. 16, she was born in Oviedo in 1743, and died in Ávila in 1781. De Vicente (1989), p. 18, also indicates that the two sisters Lasegue (Segue) had studied with Martín Vidal, singer and instrumentist (violon, violon) at the Oviedo Cathedral.

Submission’s author: 
Oviedo, 1743 — Ávila, 1781

Details

Birth date: 
18/2 (1746)
Death date: 
19/1 (1813)
Nationality: 
Periods of service: 
1760-1813 Monasterio de Santa Ana, Ávila, singer, violinist, harpsichordist and organist.
Biography: 

As María Gembero-Ustárroz consulted in several documents in Madrid, Archivo Histórico Nacional (E-Mah), María Teresa Bernarda Lasegue (Segue) Díez entered the Monastery of Santa Ana de Ávila on 15 June 1760, together with her older sister María Gertrudis. María Teresa Lasegue took final vows on 22 April 1762.

According to Alfonso de Vicente (1989), p. 16, María Teresa was born in Oviedo (Asturias) in 1746 and died in Ávila in "1831" [recte 1813]. Later on, Vicente (2000), p. 529, corrected his mistake and provided María Josefa Carrasco's correct  deathdate. Vicente (1989), p. 18, also indicated that the two sisters Lasegue (Segue) had studied with Martín Vidal, singer and instrumentist (violon, violon) at the Oviedo Cathedral.

Submission’s author: 
Oviedo, 1746 - Ávila, 1813

Details

Birth date: 
18/2 (?)
Death date: 
18/4 (?)
Nationality: 
Periods of service: 
1761 — 1795 Catedral de La Plata (hoy Sucre)
Biography: 

Son of Manuel de Mesa [Fernández de Mesa], chapelmaster of La Plata cathedral (today Sucre). 

Submission’s author: 
fl. Sucre, Bolivia, 1761-1795

Details

Birth date: 
16/2 (?)
Death date: 
16/4 (1597)
Nationality: 
Submission’s author: 
Bergamo - München, 1597

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